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Re: lily Emulates Kitten On Keyboards
From: |
Will Oram |
Subject: |
Re: lily Emulates Kitten On Keyboards |
Date: |
Sat, 23 Apr 2005 11:39:58 -0400 |
I understand your concerns. If I had any more specific information, I
would have gladly posted it...this is by far not the first time I've
described a bug on bug-lilypond. I've tooled around with lily
for...wow, 1.5 years already. Anyway, I have done my absolute best to
identify the root of these problem chords (and it ain't an inverted V,
haw haw), but it seems to be a truly random problem.
Actually, I only hold on to a demo of Sibelius, and an old one at that.
I use it to experiment when I'm composing. A student paying a zillion
dollars for that? Get real. :)
Since you petitioned, I will release the (unfinished) project to the
open. Two reasons why not to keep the volume at maximum whilst
listening:
a) The piece itself should tell you why.
b) The nasty chords at high volume truly do hurt the ears.
http://spamguy.cwru.edu/misc/music/mvmt2.mid
http://spamguy.cwru.edu/misc/mvmt2.pdf
Nasty Chord #1 occurs at m. 49 (41 in the PDF), or 1:35. Nasty Chord #2
occurs at m. 57 (49 in PDF), or 1:51. NC #3 at 65 (57 in PDF) (2:07),
and trails for a few measures on one instrument.
Best,
Will
On Apr 23, 2005, at 5.03 AM, Bernard Hurley wrote:
I don't know what others on the list think but, personally, I would not
be prepared to even look at this unless you _post_ enough information
(e.g. a small example) to illustrate the problem. That way everyone
knows what the bug is and everyone knows when it has been fixed. I am
not altogether happy with the idea of people fixing "secret bugs" on a
free software project. (See http://www.gnu.org for definition).
OTOH it is nice to know that you own Sibelius but use Lily for
typesetting!
/Bernard
Will Oram wrote:
I'm not willing to openly distribute the MIDI/PDF/code of this project
(I'm secretive that way :), but anyone who mails me a request can take
a look at anything they want.
I have to smile and remember
when you accuse me of that smell
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