dmca-activists
[Top][All Lists]
Advanced

[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

[DMCA-Activists] Re: Copyright Lessons in British Schools


From: Seth Johnson
Subject: [DMCA-Activists] Re: Copyright Lessons in British Schools
Date: Sat, 07 Aug 2004 21:36:24 -0400

> Dean Kay wrote:
> 
> You're not against kids and music are you... ?
> 
> If not, why don't you add your name to the following list of caring people
> and organizations who support the concept in the UK because they
> understand how important  introducing music to children is in their
> overall development as human beings.
> 
> Kids playing music are not a threat to innovation.


I tried to find somebody on that list who I knew would not be an
accommodationist on matters of exclusive rights policy, but I couldn't.  But
then again, I *do* hate kids and music, with a steely hot passion.


Seth


> Access to Music (ATM)
> Activate UK
> Active Music Services
> Adobe
> Amplifier - Suffolk
> Andrew Walker
> Andy Rogers
> Apple Computer
> Arts Council England
> Associated Board of the Royal Schools of Music
> Association of British Choral Directors (ABCD)
> Association of British Orchestras
> Awards for Young Musicians
> BBC Radio and Music
> Birmingham Conservatoire Junior Department
> Blenheim High School
> BPI / BRIT Trust
> British Academy of Composers and Songwriters
> British Music Rights
> Broadchart Limited
> Centre For International Research on Music Education
> Choir Schools Association (CSA)
> Chris Marks
> Christopher Dalladay
> City of Birmingham Symphony Orchestra
> Classic fm
> CM
> Confed (Confederation of Education Service Managers)
> ContinYou
> CUK (Conservatoires UK)
> Department of Culture, Media and Sport
> Department for Education and Skills
> Derek Nelson
> Djembe Leeds
> EMI
> Federation of Music Services
> Gallions Primary School
> Gigajam
> Hemington Primary School
> Hertfordshire Music Service
> Higher Education Funding Council
> Howard Goodall
> Howarth of London Manufacturing
> Ian Combe
> International Guitar Foundation
> Jason Hunt
> Korg UK
> LGA (Local Government Authority)
> Mark Shahid
> Martin Maris
> Millais Music Notation Format (MNF)
> MR Studio
> MTV UK
> Music Publishers Association
> Music-instrument.co.uk Ltd
> Music for Youth
> Music Industries Association
> Music and the Deaf
> Music Education Council (MEC) Executive and Council
> Musicians Union
> Musicians Channel
> NAHT
> NASUWT
> National Association of Music Educators (NAME)
> Normans Musical Instruments
> NST Music Tours
> NUT
> OPUS 'New Opportunities in Music'
> Oxfordshire County Council Learning and Culture Directorate
> Pandit Ram Sahai Foundation
> Paul Hamlyn Foundation
> Paul Gray, Training Development Co-ordinator, Complete Control Music
> 
> Pent Valley Technology College
> Performing Rights Foundation
> Philip Flood
> Pow wow
> PPL (Phonographic Performances Ltd) and VPL (Video Phonographic
> Performances Ltd)
> Professional Lighting and Sound Association (PLASA)
> RM
> Robert Steadman
> rock4school.co.uk
> Rockschool
> Royal Opera House
> Royal Liverpool Philharmonic Orchestra
> Royal College of Music
> Rupert Evans
> Sage Gateshead
> SCaMPS
> Shirley-Anne Lewis
> Sibelius Software Ltd
> Sion Manning School – Specialist Arts School
> Slough Music Service
> Somerset Music
> Somesh De Swardt
> Sound Sense
> Specialist Schools Trust
> St John's RC Comprehensive School, Kent
> Steve Tommey
> Steve Smith
> Steve Gibson
> The Roundhouse
> The Yehudi Menuhin School
> The Music House for Children
> The Third Dimension Ministries of Music
> Tim Smith
> Trinity College London, the international examinations board
> Visiting Arts
> Voices Foundation
> Warrington Music Service
> Weald Music Services
> Wells Cathedral School
> WOMAD
> Wren
> Yamaha Kemble Music UK Ltd.
> Youth Music
> ZONE magazine

-- 

DRM is Theft!  We are the Stakeholders!

New Yorkers for Fair Use
http://www.nyfairuse.org

[CC] Counter-copyright: http://realmeasures.dyndns.org/cc

I reserve no rights restricting copying, modification or distribution of
this incidentally recorded communication.  Original authorship should be
attributed reasonably, but only so far as such an expectation might hold for
usual practice in ordinary social discourse to which one holds no claim of
exclusive rights.





reply via email to

[Prev in Thread] Current Thread [Next in Thread]