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[Dotgnu-see-devel] registered mail


From: Jonathan Correa
Subject: [Dotgnu-see-devel] registered mail
Date: Fri, 28 Jul 2006 15:11:01 +0800

He was the last inheritor of the Giottesquetraditions. Novella, Campo Santo Pisa; Orcagna, altar-piece Last Judgment and Paradise Strozzi chapel S. The sentiment was morepurely human, however, than in such a painter, for instance, as FraAngelico. Florence, frescos Upper Church of Assisi (? ), a youngercontemporary, about whose history little is known. His tendency was to materialize the sacred characters. Mantegna, however, was thegreatest of the school, and his influence was far-reaching. Croce Fano; Perugino, frescos Sistine Rome, Crucifixion S. Art in all itsphases was not only an adornment but a necessity of Christiancivilization. -1493), though Sicilian born, is properlyclassed with the Venetian school. Agostino Gubbio; Niccolò da Foligno, altar-piece S. Anastasia Verona; Liberale da Verona, miniatures Duomo Sienna, St. But art was not so wholly pietistic as in the Gothic age. PRINCIPAL WORKS: FLORENTINES--Cimabue, Madonnas S. Rome, several canvases Constabili Collection Ferrara; Lorenzo Costa, frescos S. Popery, Paganism,Despotism, all the convulsions of Renaissance life threatened butharmed her not. He was among the first of his school touse that medium. He never, however, outgrew Gothic methods andreally belongs in the fourteenth century. Religious sentiment was the strong feature of his art. 1470) was the mostpromising, but died early. Venice, Louvre, Berlin, Dresden, Munich, Vienna, and other galleries; Catena, Altar-pieces S. Knowledge was being accumulated from every source, and the arts wereall reflecting it. Signorelli was Umbrian born, likePiero, but there was not much of the Umbrian sentiment about him. 1435-1480), a _naif_ and strong, if somewhat morbid painter, Ercole diGiulio Grandi (fl. The largercity drew the provincials its way to learn the new methods. The Church taught people by sculpture, mosaic,miniature, and fresco. True, religion was thechief subject, but nature and the antique were used to give itsetting. He was a pure painter, with much feeling, but weakat times. When enlightenment came, people began to doubtthe spiritual power of the Papacy.

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