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[Emacs-diffs] Changes to emacs/man/trouble.texi


From: Richard M. Stallman
Subject: [Emacs-diffs] Changes to emacs/man/trouble.texi
Date: Wed, 08 Feb 2006 00:22:49 +0000

Index: emacs/man/trouble.texi
diff -u emacs/man/trouble.texi:1.56 emacs/man/trouble.texi:1.57
--- emacs/man/trouble.texi:1.56 Sun Feb  5 22:41:31 2006
+++ emacs/man/trouble.texi      Wed Feb  8 00:22:49 2006
@@ -158,14 +158,14 @@
 and when Emacs is properly configured for your terminal, it translates
 that key into the character @key{DEL}.
 
-  When Emacs starts up using a window system, it determines
+  When Emacs starts up on a graphical display, it determines
 automatically which key should be @key{DEL}.  In some unusual cases
 Emacs gets the wrong information from the system.  If the usual
 erasure key deletes forwards instead of backwards, that is probably
 what happened---Emacs ought to be treating the @key{DELETE} key as
 @key{DEL}, but it isn't.
 
-  With a window system, if the usual erasure key is labeled
+  On a graphical display, if the usual erasure key is labeled
 @key{BACKSPACE} and there is a @key{DELETE} key elsewhere, but the
 @key{DELETE} key deletes backward instead of forward, that too
 suggests Emacs got the wrong information---but in the opposite sense.
@@ -213,7 +213,7 @@
 @key{DEL}, and @code{nil} specifies the other mode.  @xref{Easy
 Customization}.
 
-  With a window system, it can also happen that the usual erasure key
+  On a graphical display, it can also happen that the usual erasure key
 is labeled @key{BACKSPACE}, there is a @key{DELETE} key elsewhere, and
 both keys delete forward.  This probably means that someone has
 redefined your @key{BACKSPACE} key as a @key{DELETE} key.  With X,
@@ -226,7 +226,7 @@
 @subsection Recursive Editing Levels
 
   Recursive editing levels are important and useful features of Emacs, but
-they can seem like malfunctions to the user who does not understand them.
+they can seem like malfunctions if you do not understand them.
 
   If the mode line has square brackets @address@hidden around the parentheses
 that contain the names of the major and minor modes, you have entered a




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