%\version "2.19.80"
\include "stylesheet.ly"
% publicado originalmente en 1920 por J & W Chester /Edition Wilhelm Hansen London Ltd.
% Plancha CH1551


mb=\break
asterisk=\markup{\bold "*"}

% http://lsr.di.unimi.it/LSR/Snippet?id=782
#(define ((time-parenthesized-time up down upp downp) grob)
   (grob-interpret-markup grob
     (markup #:override '(baseline-skip . 0) #:number
       (#:line (
                 (#:column (up down))
                 #:vcenter "("
                 (#:column (upp downp))
                 #:vcenter ")" )))))


\header{
  title = "TRES PIEZAS"
  subtitle="PARA CLARINETE SOLO"
  subsubtitle=\markup{\small\normal-text\italic "Se deben respetar todas las respiraciones, acentos e indicaciones metronómicas en las tres piezas."}
  composer="IGOR STRAWINSKI"
  instrument=\markup{ \center-column { "I" "Clarinette en La preferiblemente." }}
}


#(set-global-staff-size 18)
\relative {
  \override Beam.breakable = ##t
  \tempo \markup {"Sempre" \dynamic p "e molto tranquillo"}  4=52
  \time 2/4
  \acciaccatura a8
  b8( gis cis4
  \time 5/8
  fis,4) \breathe gis'-- fis8(
  \time 2/4
  gis4) ~gis8 r
  \time 5/8
  \acciaccatura a,8
  b8([ gis] cis8[ fis,) fis'( ]
  \time 7/8 \mb
  gis4) \breathe a,8([ f? e'] dis[ fis)]
  \time 5/8
  cis4-- dis-- \breathe fis8(
  \time 2/4 cis8 f,? dis'4)~
  dis4 e,( \mb
  gis4\> \acciaccatura cis8 dis8) ~dis16 \! r \breathe
  \time 3/8 gis8-- \acciaccatura c,! fis4--
  \time 2/4 \acciaccatura cis8\> dis4-- \! \breathe fis8( \( b,)
  \time 5/8 gis'8 cis, ais a'?4 \) \mb
  gis4-- \breathe dis8([ cis fis)]
  \time 3/4
  \acciaccatura dis b8([ e,] a-- gis\> \acciaccatura cis fis, e) \!\breathe
  \time 5/8
  a8--( [ gis \acciaccatura b8 fis e dis') ] \mb
  \time 2/4
  \acciaccatura a8 cis[ \> ( gis fis^\asterisk  e)] \!
  \acciaccatura cis'8 a([ \> gis fis^\asterisk e)] \! \breathe
  \time 5/8
  des'8( [ f es c bes]
  \acciaccatura g8 es'8 fis, e?) \breathe a([ gis \mb
  \acciaccatura b8 fis^\asterisk f? cis' dis e,) ]
  \once\override Staff.TimeSignature.stencil = #(time-parenthesized-time "3" "4" "6" "8")      
  \time 3/4
  \acciaccatura b'8 fis( ^\asterisk [ f cis' dis) \breathe \acciaccatura a b( gis]
  \time 5/8
  \acciaccatura ais8 cis4 \> fis,) \! e8( \mb
  gis'4) dis8([ fis d]
  \time 6/8
  \acciaccatura cis8 dis4 b8) r \breathe e( f,?
  \time 7/8
  dis'8[ a fis'] cis4) e,( \mb
  \time 2/4 dis'4) \breathe a8( fis'
  \time 3/8
  cis4) \override Hairpin.to-barline = ##f f,?8(  \>
  \time 3/4
  gis'4 \! fis4.) r8 \breathe 
  \time 5/8
  << { \oneVoice \acciaccatura es8 ^\markup{\italic{poco più \dynamic f e  poco più mosso}}
       d8^>[ _( c \acciaccatura cis8 e\< fis\! \acciaccatura bes, es)] ~
       es4 _\laissezVibrer\fermata^\markup{\italic lunga} }\\
     { s8 s s s s s8\> s s\! }
  >>
  
  \bar "|."
  
  
  
}
\markup\small{
  *) (con el clarinete Boehm)
  \italic { tocar este \concat{fa\tiny\sharp} \score{
    
    \new Staff\with {
      \remove "Time_signature_engraver"
      %alignAboveContext = #"sopranoStaff"
      fontSize = #-3
      \override StaffSymbol.staff-space = #(magstep -3)
      \override StaffSymbol.thickness = #(magstep -3)
    }{fis4}\layout{indent=0}} con el dedo meñique de la mano izquierda.}
}

\layout { indent=6\mm }

\paper { 
  %line-width = 174\mm 
  ragged-last-bottom = ##f 
  left-margin = 20\mm
  right-margin = 17\mm
  bottom-margin = 2\cm

}