Here is an example that demonstrates the problem. Commenting out the
linewidth in the *.ly-file only places the last systems the right way.
Because this problem was already discussed here I abstained from sending the
code.
But maybe there is a better solution.
Georg
-----Original Message-----
From: Mats Bengtsson [mailto:address@hidden
Sent: Monday, August 01, 2005 4:18 PM
To: Georg Dummer
Cc: lilypond-user
Subject: Re: lilypond-book and DIN A4 ?!?
As far as I can see, the \begin{flushright} doesn't solve anything as long
as you let lilypond-book determine the line width of the scores, since they
will be rather too long then too short (see my email to bug-lilypond a few
minutes ago).
However, if you explicitly set the line width of the music examples to be
shorter than the line width of the remaining LaTeX document, then it makes
sense to use something like what you propose to work around these bugs.
Since you haven't provided any complete example including both LaTeX and
LilyPond code, it's a bit hard to realize exactly what problems you try to
solve.
/Mats
Georg Dummer wrote:
This is my newest achievement:
\newcommand{\preLilyPondExample}{\begin{flushright}}
\newcommand{\betweenLilyPondSystem}[1]{\hfill} % maybe not needed
\newcommand{\postLilyPondExample}{\end{flushright}}
This also gives acceptable results if you have set the instrument
name. In this case the first system (eps-picture) normaly has a
different width than the onthers.
Georg
-----Original Message-----
From: address@hidden
[mailto:address@hidden
On Behalf Of Mats Bengtsson
Sent: Monday, August 01, 2005 10:01 AM
To: Martin Brodbeck
Cc: address@hidden
Subject: Re: lilypond-book and DIN A4 ?!?
As has been stated before: As long as you don't specify the line width
(or paper size) within the actual .ly code, there should be no need to
use this workaround.
/Mats
Martin Brodbeck wrote:
Graham Percival schrieb:
Known issue; please search the lilypond-user and bug-lilypond mailist
archives for discussion and workarounds.
(it was probably discussed on lilypond-devel as well)
After a third watch at lilypond-user I found a workaround:
"\newcommand{\betweenLilyPondSystem}[1]{\linebreak}" in the preamble
of the LaTeX document fixes the issue.
Thanks,
Martin
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--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: address@hidden
WWW: http://www.s3.kth.se/~mabe
=============================================
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--
=============================================
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: address@hidden
WWW: http://www.s3.kth.se/~mabe
=============================================
------------------------------------------------------------------------
\header {
poet = "Text: Eugen Eckert "
composer = "Musik: Winfried Heurich"
copyright = "© wer auch immmer"
enteredby = "Georg Dummer"
}
\layout {
linewidth = 170 \mm
indent = 15 \mm
}
\renameinput "Messe/MeineEngenGrenzen.ly"
\version "2.6.0"
\include "../templates/defaults.ly"
StimmeSop = \relative c' {
\key f \major
\time 4/4
a'4 a a f |
e2 d |
b'4\rest d,8 d e4 \break \bar"" f8 f ~ |
f4 f8 f g4 a8 a ~ |
a2 b\rest \bar"|:" \break
d4 d d c a2 g |
f4 g e e |
d2 b'\rest \bar":|"
}
StimmeAlt = \relative c' {
f4 f e d |
d \melisma cis \melismaEnd d2 |
s4 d8 d d4 d8 c ~ |
c4 c8 c e4 e8 f8 ~ |
f2 s |
a4 a gis gis |
a2 d, |
d4 d d c |
a2 s |
}
StimmeTen = \relative c' {
\key f \major
\time 4/4
d4 d c bes |
bes2 a |
d,4\rest bes'8 bes
bes4 bes8 a ~ |
a4 a8 a c4 c8 c ~ |
c2 d,\rest
d'4 a d e c2 b |
bes4 bes g g |
f2 d\rest \bar":|"
}
StimmeBass = \relative c' {
a4 a a a |
g2 f |
s4 f8 f f4 f8 f ~ |
f4 e8 d8 c4 c8 f8 ~ |
f2 s |
f4 f e e |
f2 f |
f4 bes c, c |
d2 s |
}
Text =\lyricmode {
\set stanza = "1."
Mei -- ne en -- gen Gren -- zen, mei -- ne kur -- ze Sicht, __
brin -- ge ich vor dich. __
Wand -- le sie in Wei -- te.
Herr, er -- bar -- me dich.
}
Akkorde = \chordmode {
d2:m a4:m b:7 g:m a:7 d2:m b1
f2 c f a:7
d:m e:7 f g bes c d:m
}
Frauen =
\context Staff = "fr" <<
\clef treble
\set Staff.instrument = \markup { \column { \line { Sopran \hspace #0.6
} Alt } }
\set Staff.instr = #""
\set Staff.midiInstrument = #"choir aahs"
\context Voice = "sopran" { \voiceOne \StimmeSop }
\context Voice = "alt" { \voiceTwo \StimmeAlt }
\lyricsto "alt" \new Lyrics \Text
>>
Maenner =
\context Staff = "ma" <<
\clef bass
\set Staff.instrument = \markup { \column { "Tenor" { "Bass"} } }
\set Staff.instr = #""
\set Staff.midiInstrument = #"choir aahs"
\context Voice = "tenor" { \voiceOne \StimmeTen }
\context Voice = "bass" { \voiceTwo \StimmeBass }
>>
\score {
<<
\override Score.BarNumber #'padding = #2
\context ChordNames { \germanChords \myChordProperties \Akkorde
}
\context ChoirStaff <<
\Frauen
\Maenner
>>
>>
\layout { }
%\midi { }
}
------------------------------------------------------------------------
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