Re: MIDI file problem?

[Joshua Parmenter]

Thanks Mats and nicola.

Yes, I am using QuickTime. And thanks for the Mighty MIDI link...  
that took care of the problem... so, I will check with the QuickTime  
dev team to see if they know what the problem is on their end.

Thanks,

Josh

******************************************
Joshua Parmenter
address@hidden
Post-Doctoral Research Associate - Center for Digital Arts and  
Experimental Media
Raitt Hall - University of Washington
Seattle, Washington 98195

http://www.dxarts.washington.edu
http://www.realizedsound.net/josh/


On Jun 27, 2006, at 3:56 AM, nicola wrote:

> If you are using QuickTime on Mac OS X, as I guess, this is an old  
> known
> problem:
>
> http://lists.gnu.org/archive/html/bug-lilypond/2004-02/msg00346.html
>
> It is not clear to me if Lilypond is not producing correct MIDI  
> output,
> though - in which case, a bug report should be filed somewhere,
> probably. In the meantime, you may try some different MIDI player, as
> Mighty MIDI (http://xmidi.com/apps.html).
>
> As we are on this matter, I would like to point out that the following
>
> \version "2.9.8"
> \score
> {
>   \context StaffGroup
>   <<
>     % Staff
>     \new Staff
>     {
>       \time 3/4
>       \key d \major
>       \tempo 4=100
>       % Music here...
>     }
> > >
>   \layout { }
>   \midi { \time 4=110 }
> }
>
> is played with tempo = 100, not 110. Is this a bug?
>
> Regards
> Nicola
>
> In article <address@hidden>,
>  Joshua Parmenter <address@hidden> wrote:
>
> > Hi everyone,
> >
> > I seem to be having a little problem with MIDI files in LilyPond 2.9.
> > The pasted code at the bottom seems to be rendering with a tempo of
> > quarter equals 120 no matter what I do... Does anyone else have this
> > problem? Is there anything I am missing?
> >
> > Thanks,
> >
> > Josh
> >
> > % LilyPond score file
> >
> > \version "2.9"
> >
> > violinA = {
> >    \set Staff.instrument = "Violin"
> >    \override Staff.TimeSignature #'style = #'()
> >    \autoBeamOff
> >    #(set-accidental-style 'default)
> >    \clef treble
> >
> >    << {\time 4/4 \oneVoice c'16[ c'16 cis'16 cis'16] cis'16[ d'16
> > d'16 d'16] d'16[ dis'16 dis'16 dis'16] e'16[ e'16 e'16 f'16] | %1
> >        f'16[ f'16 f'16 fis'16] fis'16[ fis'16 g'16 g'16] g'16[ gis'16
> > gis'16 gis'16] gis'16[ a'16 a'16 a'16] | %2
> >        ais'16[ ais'16 ais'16 b'16] b'16[ b'16 b'16 c''16] r2 \bar
> > "|." | %3
> >       }
> > > >
> > }
> >
> > \score {
> >    <<
> >      \new Staff \violinA
> > > >
> >         \midi {
> >         \tempo 4 = 30
> > %       \tempo 4 = 120
> >         }
> > }
> >
> > ******************************************
> > Joshua Parmenter
> > address@hidden
> > Post-Doctoral Research Associate - Center for Digital Arts and
> > Experimental Media
> > Raitt Hall - University of Washington
> > Seattle, Washington 98195
> >
> > http://www.dxarts.washington.edu
> > http://www.realizedsound.net/josh/
>
>
>
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