Re: New user + notation queries

[Eduardo Vieira]

Hi! I took a look in your file and the Finale's PDF. Now I understand what 
you mean. 
I think the best work around for now is to follow Mats advice and make a 
different version for sound (midi) purposes. 

Eduardo 


----- Original Message ----- 
From: "Joseph Wakeling" <address@hidden> 
To: <address@hidden> 
Sent: Friday, June 30, 2006 4:40 PM 
Subject: Re: New user + notation queries 


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> I've already tried posting this message but it got held up because the 
> attachments were large...  So here's the same thing, but with PDF files 
> accessible via the web instead. 
> 
> Eduardo Vieira wrote: 
>> Hello, I don't really understand what you want your score to look like 
about 
>> those invisible notehead. Maybe you could post a small picture of what 
you 
>> can do using Finale. And we would see to the right solution. 
> 
> OK.  A Finale-generated version of the two bars is at 
> http://music.webdrake.net/KobenhavnO-sample.pdf. 
> 
> What I did in Finale was just (1) request beams and stems over rests and 
> (2) hide the rests themselves. 
> 
> Kieren MacMillan wrote: 
>> > Try using 
>> > 
>> >     \override Score.Beam #'damping = 100000 
>> > 
>> > This modification affects the change at the Score level/context 
>> > rather than the default level/context (Voice). 
> 
> OK, that works nicely for producing a global effect. 
> 
> ... but the effect is still not right.  The beams on the second voice 
> are not horizontal, although they are made flatter by the presence of 
> the \override Score.Beam command. 
> 
> In addition to the PDF from Finale I've attached the latest Lilypond 
> file.  The PDF resulting from it is here: 
> http://music.webdrake.net/KobenhavnO.pdf 
> ... so comparing the two PDF's ought to give an idea of what needs 
> altering in Lilypond. 
> 
> Many thanks for everyone's time, 
> 
>    -- Joe 
> 
> 
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> \version "2.8.4" 
> 
> \header { 
> title = "København Ø" 
> composer = "Joseph Rushton Wakeling" 
> } 
> 
> lentocantabilelontano = \markup { \note #"8" #1 = 63 \hspace #0.1 
\bold{lento, cantabile lontano e rubato} } 
> 
> clarinetNotes = { 
> \clef treble 
> \override Staff.TimeSignature #'style = #'() 
> \override Score.Beam #'damping = 100000 
> \time 3/4 
> \once \override Score.MetronomeMark #'transparent = ##t 
> \tempo 8=63 
> 
> << 
> \relative c''' { bes4~(^\lentocantabilelontano bes16 ces8 bes16~ bes8) } 
\\ 
> \relative c' { ees8~\ppp \times 2/3 { ees8 fis16~ } fis16 g8 ees16~ ees8 } 
> >> 
> r16 ees'''(\pp_\markup{\italic{dolce}} 
> 
> 
> << 
> \relative c''' { \oneVoice \times 2/3 { c16-- b4) \voiceOne f16~ } f8.([ 
r16] r32[ d'16.]) } 
> \new Voice="1" { \voiceTwo 
> \relative c' { s4 r16[\ppp eeseh8 b'16]~ b32[ fis16.] } 
> \oneVoice 
> } 
> >> 
> \oneVoice 
> r8 
> 
> } 
> 
> { 
> \clarinetNotes