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Aligning Square (Vaticana) notes with modern notation in separate staves
From: |
anders stenberg |
Subject: |
Aligning Square (Vaticana) notes with modern notation in separate staves |
Date: |
Tue, 20 Mar 2007 16:15:18 +0200 |
User-agent: |
Mozilla Thunderbird 0.9 (Windows/20041103) |
Hi everybody!
I have just more or less finished a critical edition/ transcription of
one of the Cantigas de Santa Maria.
That meant putting two different Vaticana staffs and one normal staff in
the same score.
Eg. entering The notes from the two main sources in square notation and
a interpretation of the semi rytmicnotation in the sources in modern
notation.
The problem so fare is: as the square notes takes about the same space
as one quarter in modern notation disregarding if the sign is punctum
inclinatum, punctum or virga. (As far as I understand this is true also
in Ligatures.)
Now if the virga is interpreted as a long note and punktum as short
eg. halfnote and quarter note the notes in the square note staffs will
not align with the modern notation after a halfnote is entered in the
modern staff. Temporaly I solwed this by adding s4 after apropriate
notes in the Vaticana staff's. See the following snipp:
escorial = \new VaticanaVoice = "Escorial"
{
\set Staff.instrumentName="Esc-Codex"
\set Staff.shortInstrumentName = "Esc "
\set VaticanaStaff.middleCPosition = #2
\set VaticanaStaff.clefPosition = #2
\[g\]\[ a\melisma \flexa b \melismaEnd \] \[ c' \]
\[ \virga a\] s4 \[ b \]
\[ \virga c' \] s4 \[ \virga d' \] s4 \divisioMaior
s4 d' \[ d' \melisma \flexa c'\melismaEnd \] \[ a \] \[
b\melisma \auctum \ascendens b\melismaEnd \]
a \[ \virga g \] \[ a\melisma \flexa \deminutum g\melismaEnd
\] \[ \virga f\] s4
\divisioMaior
}
escorialVers = \lyricmode
{
Nas m^ -- tes sen -- pre -- te^ -- er.
de -- ve -- mo -- las sas fei^ -- "[tu]" -- ras
}
toledo =
\new VaticanaVoice = "Toledo" {
\set Staff.instrumentName="To- codex"
\set Staff.shortInstrumentName = "To "
\set VaticanaStaff.middleCPosition = #2
\set VaticanaStaff.clefPosition = #2
\[ g \] \[ a\melisma \flexa b \melismaEnd \] \[ \inclinatum c'\]
\[ a \] s4 \[ \inclinatum b \] \[ c' \] s4 \[d' \] s4
s4 \[ d' \] \[ d'\melisma \flexa c'\melismaEnd \] \[ a \] \[ b \]
s4 \[ \inclinatum a \]
\[ g \] \[ a \melisma \flexa g\melismaEnd \] \[ f \] s4
}
toledoVers = \lyricmode
{
Nas me^ -- tes sen -- pre te^ -- er
de -- ve -- mo las sas fei -- tu -- ras
}
transcriptI =
\relative c' {
\partial 4*1
g'4
a( b) c a2 b4
c2 d r4 d4
d4( c) a b2 a4
g4. a8( g4) f2
}
transcriptVers =
\lyricmode {
Nas men -- tes sen -- pre te -- ner
de ve -- mo -- las sas fei -- tu -- ras.
}
transcript = \new Staff {
<<
\new Voice = "Transcript" {
\set Staff.instrumentName="Transcript"
\set Staff.shortInstrumentName = "Tr. "
\clef "treble"
\key c \major
\time 6/4
\transcriptI
}
\new Lyrics \lyricsto "Transcript" {
\transcriptVers
}
>>
}
\score {
<<
<<
\new VaticanaStaff \with {\override StaffSymbol #'line-count = #5 }
\escorial
\new Lyrics \lyricsto "Escorial" {
\escorialVers
}
>>
<<
\new VaticanaStaff \with {\override StaffSymbol #'line-count = #5 }
\toledo
\new Lyrics \lyricsto "Toledo" {
\toledoVers
}
>>
<<
\transcript
>>
>>
\layout {
indent = 20.0
}
}
I only wonder: Is there a more elegant solution? Its not only a
eastetical quiz: If I also print the Vaticana "parts" separatly the
extra spaces are just that: extra spaces botching the normal spacing of
the notes and giving things a rather weirdo look when not in the mixed
scorecontext. Its also a bother to have to edit in/ out the extra
spaces and somewath time consuming as I had to process the score at
least a few extra times (at least this first time) to get alignement
and overall look right.
Yours
Anders
- Aligning Square (Vaticana) notes with modern notation in separate staves,
anders stenberg <=