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Re: Double-flats used by Lilypond after transpose
From: |
Cameron Horsburgh |
Subject: |
Re: Double-flats used by Lilypond after transpose |
Date: |
Wed, 1 Aug 2007 23:29:19 +1000 |
User-agent: |
Mutt/1.5.16 (2007-06-11) |
On Wed, Aug 01, 2007 at 10:20:53AM +0000, Jon wrote:
> Hi there guys,
>
> I've been writing out a part for B-flat sax. I've written out the music in
> concert pitch and so am using \transpose to display it in the right key for
> the
> B-flat sax. The part I'm writing is in E-major when in concert pitch, so this
> becomes G-flat-major when transposed for the B-flat instrument.
>
> The problem I'm having is that Lilypond is choosing to use double flats for a
> number of particular notes when it prints out the B-flat part. For example,
> if
> I write a G or an F in the concert part (which is in E-major) these get
> written
> out as B-doubleflat and A-doubleflat respectively, in the B-flat instrument
> part, instead of as A-natural and G-natural, which would be easier to read in
> my opinion.
>
The other option would be to transpose the piece into F-sharp major, which
would (I presume) get rid of the double accidentals and be more
(technically) correct.
However, there seems to be a (rather complex) way to do it: have a look at
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/source/input/lsr/scheme/lily-0934c4d641.ly
for clues (I haven't had a good look at this, but I think it does whayt
you're after.)
Hope this helps!
--
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Cameron Horsburgh
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