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Re: tuplets other than standard 8th into quarter note


From: Ole Schmidt
Subject: Re: tuplets other than standard 8th into quarter note
Date: Mon, 17 Dec 2007 12:30:42 +0100

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

 \new Staff {

\time 1/4
\relative c' { \times 2/3 { d8 e f } \break
%in the time of 2 8th notes 3 8th notes

\times 2/5 { d8 e f g a } \break
%in the time of 2 8th notes 5 8th notes

\times 2/3 { d16[ e f ]} \times 2/3 { d16 e f } \break
%in the time of 2 16th notes 3 16th notes

\times 4/6 { d16 e f  e f g } \break
%in the time of 4 16th notes 6 16th notes

\times 4/7 { d16 e f  e f g a } \break
%in the time of 4 16th notes 7 16th notes

\times 4/9 { g16 a b f g a e f g  }
%in the time of 4 16th notes 9 16th notes
} }


%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%


hope that helps

ole


Am 17.12.2007 um 11:35 schrieb David Fedoruk:

Hello:

I don't understand how the triplet durations work mathematically. The
examples are all standard 3  8th notes into 1 quarter. These are all
whole numbers. What happens when you need triplet 16th notes into half
a beat in a 2/4 time signature? There are about 50 bars of them so I
can't do this as a one of exception.

While I'm asking questions, how is a single voice notation done
between staves in a piano score? Does the notation have to be two
voiced although the score will not indicate rests for one hand while
the other is playing.? I've looked at the documentation for staff
switching, but it seems to be useful in singular situations. I don't
think I can leave this to auto staff changes .... if what I'm doing is
considered staff changes.

I need to understand what I'm attempting before trying something which
may be doomed to failure.

cheers.
david

--
David Fedoruk
B.Mus. UBC,1986
Certificate in Internet Systems Administration, UBC, 2003


http://recordjackethistorian.wordpress.com
"Music is enough for one's life time, but one life time is not enough
for music" Sergei Rachmaninov


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