Re: tuplets other than standard 8th into quarter note

[Ole Schmidt]

and for saving typing you can use \set tupletSpannerDuration ...
(as described in the manual Chapter 6.2.3 Tuplets)


%%%%%%%%%%%%%%%%%%%%%%%%%

\version "2.10.15"

 \new Staff {
 \time 2/4

 \relative c'{
    \set tupletSpannerDuration = #(ly:make-moment 1 4)

\times 4/6 { c16 d e d e f f g a g a b c,16 d e d e f f g a g a b c, 
16 d e d e f f g a g a b c,16 d e d e f f g a g a b c,16 d e d e f f  
g a g a b }

} }

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

hope that helps

ole

Am 17.12.2007 um 11:35 schrieb David Fedoruk:

> Hello:
>
> I don't understand how the triplet durations work mathematically. The
> examples are all standard 3  8th notes into 1 quarter. These are all
> whole numbers. What happens when you need triplet 16th notes into half
> a beat in a 2/4 time signature? There are about 50 bars of them so I
> can't do this as a one of exception.
>
> While I'm asking questions, how is a single voice notation done
> between staves in a piano score? Does the notation have to be two
> voiced although the score will not indicate rests for one hand while
> the other is playing.? I've looked at the documentation for staff
> switching, but it seems to be useful in singular situations. I don't
> think I can leave this to auto staff changes .... if what I'm doing is
> considered staff changes.
>
> I need to understand what I'm attempting before trying something which
> may be doomed to failure.
>
> cheers.
> david
>
> --
> David Fedoruk
> B.Mus. UBC,1986
> Certificate in Internet Systems Administration, UBC, 2003
>
>
> http://recordjackethistorian.wordpress.com
> "Music is enough for one's life time, but one life time is not enough
> for music" Sergei Rachmaninov
>
>
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