Dear Rune, months ago You have been so kind texplain me a very useful scheme-fuction, which can save a lot of type setting. I used it many times, but now there is something, I don't understand: Why does the first snippet work quite well, and the second not? Off course, it must have to do with the chords, but is there a possibilitie to do it with the chords?
In the attachment is the slightly modified scheme-code. I call it "motiv.ly" now. %%%%%%%% First EXAMPLE %%%%%%%%%%% \include "motiv.ly"
\motiv #'pausi {c'8 r4 r8 d' r8 d' r e' r4 r8 } global = { \time 12/8 } rechts = \relative { \global \pausi {c d e } \pausi { d e f } \pausi { e f g } } links = { \global \clef bass c1. b, c }
\version "2.11.47" \score { \new PianoStaff = "Klavier" << \new Staff= "rechts" { \rechts } \new Staff = "links" \with { \override VerticalAxisGroup #'keep-fixed-while-stretching = ##t }
{ \links} >> }
%%%%%%% second example %%%%%%%%%%%%%% \include "motiv.ly" \motiv #'pausi {<c'8 e g> r4 r8 d' r8 d' r fis' r4 r8 }
global = { \time 12/8 } rechts = \relative { \global \pausi {<c e g> d fis } } links = { \global \clef bass c1. } \version "2.11.47" \score { \new PianoStaff = "Klavier" <<
\new Staff= "rechts" { \rechts } \new Staff = "links" \with { \override VerticalAxisGroup #'keep-fixed-while-stretching = ##t } { \links} >> }
%%%%%% end of second example
motiv.ly