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Re: Absolute vs. relative pitches


From: Trevor Daniels
Subject: Re: Absolute vs. relative pitches
Date: Wed, 13 Aug 2008 18:31:16 +0100


John, you wrote Wednesday, August 13, 2008 5:53 PM


2008/8/13 Trevor Daniels <address@hidden>:

The Learning Manual is for learning users.  They will
usually begin with a simple melody and relative mode
-is- easier for this, once you realize all you have to
do is count staff spaces.

Counting staff spaces costs much brain power in melodies with big
intervals (i.e. intervals bigger than a third).

Jumps of more than an octave are fairly rare in most melodies, so in relative
mode you usually only need to be able to count to 3.  I find it much easier
to simply count staff spaces than to work out whether the interval is a fifth,
an augmented fourth or a diminished fifth.  If there are more than 3 staff
spaces between the notes you need an apostrophe or a comma.

Others more musically gifted than I seem to disagree that this is easier, though.

IMNSHO we *must* discuss absolute vs. relative pitches with usage
cases in the Learning Manual.

I agree with this.  IIRC I wanted to do so but Graham vetoed it, but
maybe he opposed it just in the early sections of the manual.

 This is probably too early to do this
in chapter 3 "Fundamental concepts" (although I intend to prepare the
mind of the reader with a correction I added recently ;-), but this
could be done in chapter 5 "Working with LilyPond files".  Trevor, I
put this on my TODO for after 2.12, unless you have any objection.

That's fine, John - I've plenty of other bits to write after 2.12!

Cheers,
John

Trevor





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