Please provide a snippet about what you are trying.
Also, you can fake the time using
c4*2
This way it will have the same amount of time as a c2.
Bert
address@hidden wrote:
The problem there is that even with \mergeDifferentlyDottedOn and
\mergeDifferentlyHeadedOn, LP won't merge a half note with a quarter
note, so the visible and hidden a notes aren't merged and the slur
doesn't line up with the visible notes. If I change the hidden a to an
eighth note then the a notes merge but I still can't get the e notes to
merge. I could muck around with positioning the end point of the slur,
but the problem with that is that the bar is spaced differently when
outputting an individual part as compared to the combined score, and so
if the position is tweaked for one it's incorrect for the other.
Nick
On Tue 13/01/09 8:17 AM , "James E.
Bailey" address@hidden sent:
You
could try putting the slur in a completely different voice
altogether.
<<{b'4\rest e,2}\\{a,2.}\\{\hideNotes a4_( e2)}>>
Am 12.01.2009 um 21:56 schrieb Nick Payne:
> In this example,
excerpted from a score, how can I get a slur
> between the
> two notes? The
snippets repository shows slurs across voices using
> hidden
> notes, but the hidden
notes are counted in the timing.
>
> \relative c' {
> \time 3/4
> << {
> b'4\rest e,2 |
> } \\ {
> a,2.
> } >>
> }
>
> Nick Payne
>
>
>
>
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