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From: | Bernhard Ott |
Subject: | Re: Lilypond vs Score |
Date: | Tue, 02 Feb 2010 01:58:07 +0100 |
User-agent: | Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.9.1.7) Gecko/20100111 Thunderbird/3.0.1 |
On 02/02/2010 01:24 AM, Bobber wrote:
That ability would seem to indicate more possibilities. The person I spoke to who is one of the publishers listed on the Wikipedia page, said that the output of both Finale and Lilypond was unacceptable for a professional publisher.
IMHO it's not only the software that matters:I saw some really good scores done with Finale, and some dreadful examples of composers just printing their midi-stuff (Finale, Sibelius, ...). Have a look at (for example) Baerenreiter piano-reductions (Bach Johannespassion, Mozart operas) - they are a nightmare to read, so even with Score you can produce some questionable output.
Don't get me wrong, I'm pretty sure that Score used to be state of the art for a decade, but IMO it's not only a question of features but a question of knowing how you want your score to look.
somehow be manipulated by Score. I don't quite understand how that could be done but this is what he said.
There seem to be a lot of third-party programms out there - see http://www.scoremus.com/links.html
Regards, Bernhard
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