Re: \mergeDifferentlyHeadedOn, voice and stem issue

[Marc Hohl]

Am 08.05.2011 22:23, schrieb address@hidden:
> Appended is a snippet of two measures, the first measure
> is what I intended, the second measure is not.
>
> In the second measure, I would like the top voice
> triplet 16th notes B natural and A natural to occupy the
> same space as the lower voice dotted quarter notes
> B natural and A natural, thus these top voice triplet
> 16th notes "disappear".
>
> This happens exactly as I want it in the first measure where
> the F and Bb  16th notes "disappear" because the space
> is occupied by the F and Bb half notes.
>
>
> So far, working with the \mergeDifferentlyHeadedOn  command
> has been hit or miss with me. Sometimes I get my intention
> with it, other times not.  Can someone coach me so that I can
> get my desired result?

There exists a \mergeDifferentDottedOn command, too,
to cover the merge in the second bar.

See
http://lilypond.org/doc/v2.13/Documentation/notation/multiple-voices#index-mergeDifferentlyDottedOn

HTH,

Marc

> Thank you for your help.  An image of the generated measures
> is attached.
>
>
>
> \version "2.12.3"
> \include "english.ly"
>
> <<
>    \new Staff = "guitar"
>    {
>      \clef "treble_8"
>
>      % measure 01
>      \time 4/4
>      <<
>      {
>         f,16  d16 g8<<d4 g4>>
>         bf,16 g16 b8<<g4 b4>>
>      }
>      \\
>      { \mergeDifferentlyHeadedOn  f,2  bf,2 }
>      >>
>
>      % measure 02
>      \time 3/4
>      <<
>      {
>       \times 2/3 { b,16 af16 c'16 }<<af4 c'4>>  \times 2/3 { a,16 fs16  b16 }<<fs4 b4 
> bf'4>>
>      }
>      \\
>      { \mergeDifferentlyHeadedOn  b,4. a,4.   }
>      >>
>
>    }
>
>
>
>
>
>
>
>
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