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From: | C.Flothow |
Subject: | Re: why does lily prints both a natural and sharp sign? |
Date: | Sun, 12 Jun 2011 10:48:30 +0200 |
User-agent: | Mozilla/5.0 (Windows; U; Windows NT 6.1; de; rv:1.9.2.17) Gecko/20110414 Thunderbird/3.1.10 |
Am 12.06.2011 02:12, schrieb Nicholas Moe:
On p. 125 of my Gardner Read (1964), it says: "To cancel the double flat and restore the original single flat, it was formerly required—as cited in the rules on page 123—to write a natural sign plus the single flat. Today the tendency is to use merely the single flat-sign without the natural. It may be less academic, but its meaning is perfectly clear, and it is simpler to write."
That is a different case! You never would "go down" from a double flat by just writing a single flat!On the other hand: in baroque music a sharp in front of a note that is by the context a g-flat would mean g-natural. Even when the natural sign was invented the flat was often used in that way (making transposition from sight much easier!) The transition from a double sharp to a single sharp normally would be indicated by a flat (or by the combination natural-sharp in a time when naturals were in use). In addition: when singing 19th or 20th century music I always have to re-check the key-signature when I find a sharp in a environment of "many flats" to make shure whether its a half tone up or a full tone - and end normally up by making a mark of my own.
So for easy reading you should use the combination anyway. Chris
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