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Question about Transposing: Score vs. Midi Output


From: Robert Schmaus
Subject: Question about Transposing: Score vs. Midi Output
Date: Sun, 03 Jul 2011 11:27:25 +0200
User-agent: Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10.6; de; rv:1.9.2.18) Gecko/20110616 Thunderbird/3.1.11

Hello fellow Lilyponderers,

I'm currently typesetting a score for Bigband, i.e. lots of transposing instruments. I'm writing everything in concert pitch, so I can check everything with the midi output. My initial idea was that I would transpose the individual instruments into their desired key, once I have finished the concert pitch score.

Recently, I discovered the \transposition command, and had hoped that this would actually be an elegant solution: still writing everything in concert pitch, but the engraver would set each voice in its correct key. So, in the example below, the Tenor would play the same note as the bass (modulo octave) but the notes for the Tenor would show d. The Midi file, however now has the tenor play b-flat. So, I still would have to write every instrument in its own key, but would have a correct midi output.

My question is: is there an "inverse" command to \transposition, where I can write everything in concert pitch, s.t. the midi output will also remain in concert pitch, but the score is actually correct? An alternative would be to use the right \transpose command for each instrument but suppress all \transpose directives for the midi output - is that possible?

Thanks a lot.
Have a nice sunday,
Robert


\version "2.14.1"

Tenor = \relative c'' {
        \clef treble
        \transposition bes
        c c c c
}

Bass = \relative c {
        \clef bass
        c c c c
}

\score {
        <<
                \new Staff \Tenor
                \new Staff \Bass
        >>
        \layout{}
        \midi{}
}



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