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Re: aleatoric squiggles
From: |
address@hidden |
Subject: |
Re: aleatoric squiggles |
Date: |
Thu, 7 Jul 2011 10:21:01 +0200 |
Karim Barkati <address@hidden> is currently typesetting a score not unlike this
for viola & electronics. I'm ccing him to this e-mail: his approach also uses
glissandi and looks really nice.
For the arrow:
\relative c' {\override Glissando #'bound-details #'right #'arrow = ##t c1
\glissando s1 c1 }
For the cuing, if the glissando is always gonna be flat, try:
\relative c' {
\override Glissando #'bound-details #'right #'padding = #0
\override Glissando #'bound-details #'left #'padding = #0
f4 \glissando
\override Voice . NoteHead #'stencil = #(ly:make-stencil '() '(0 . 0) '(0 . 0))
\override Voice . Stem #'stencil = ##f
\repeat unfold 22 { f4 \glissando }
\revert Voice . NoteHead #'stencil
f4
}
Karim does something like this - it allows you to break the glissando at any
given beat and still have it in cued voices.
Cheers,
MS
On Jul 7, 2011, at 10:06 AM, James Harkins wrote:
> Google let me down on this one -- I'm looking for some advice on notating
> aleatoric materials. The piece is for the Chinese instrument sheng and live
> electronics (computer running SuperCollider). Many of the computer materials
> will start at a specific point in the score, but the exact notes and rhythms
> will be different from performance to performance.
>
> This is close, but seems a little messy. Any ways to clean it up? Also, I
> think it won't work if I want to quote a portion including the glissando line
> as cue notes within another staff (\cueDuring). Would be really nice to have
> a solution that could be cued.
>
> \version "2.14.1"
>
> \score {
> \new Staff \with {
> \override Glissando #'style = #'trill
> } {
> <<
> \new Voice {
> \voiceOne \stemNeutral
> b'2\rest d''8 [ a' d'' e'' ]
> \glissando s2..
> \once \override Stem #'transparent = ##t
> \once \override NoteHead #'transparent = ##t
> e''8
> }
> \new Voice {
> \voiceTwo \stemNeutral
> s1
> s2.. b'8\rest
> }
>>>
> }
> }
>
> Also, I'd really like to have an arrowhead at the end of the glissando. I can
> find the arrow "sub property" of the line spanner interface, but I'm not
> clever enough to figure out how to use it without an example.
>
> Thanks,
> James
>
> PS (Yes, I'm aware of relative mode for pitch entry... it just didn't seem
> worth it to me for this example.)
>
>
> --
> James Harkins /// dewdrop world
> address@hidden
> http://www.dewdrop-world.net
>
> "Come said the Muse,
> Sing me a song no poet has yet chanted,
> Sing me the universal." -- Whitman
>
> blog: http://www.dewdrop-world.net/words
> audio clips: http://www.dewdrop-world.net/audio
> more audio: http://soundcloud.com/dewdrop_world/tracks
>
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