Re: Articulations positioned under stem when using \autochange

[Joey Di Nardo]

Thanks all, I see now how I missed explicitly instantiating the voices. If 
interpreted as three voices, would you consider the third voice (the 
double-stemmed) quarter-note value?

On Feb 1, 2012, at 5:07 PM, David Kastrup wrote:

> Thomas Morley <address@hidden> writes:
> 
>>   I am interpreting the upper staff as two voices, one with the half
>>   note and the other with a series of eights in 7/8.
> 
>>    This is what I've coded for the measure (inside a relative c'):
>> 
>> 
>> 
>>    |%4
>>    \time 7/8
>>    <<
>>    \voiceOne {
>>    a,2 s8 s s
>>    }
>>    \voiceTwo {
>>    a,8[ b] c d e f g
>>    }
>>>> 
> 
> This is not two voices.  It is a single voice with parallel music in
> it.  \voiceTwo, as the latter of two settings in this single voice, will
> likely win.  If you want to use multiple voices, either use \\ or
> explicit voices.
> 
> 
> -- 
> David Kastrup
> 
> 
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