Jonas Olson <address@hidden> wrote on 04/27/2012
02:06:07 PM:
> From: Jonas Olson <address@hidden> > To: Tim Reeves <address@hidden>
> Cc: address@hidden
> Date: 04/27/2012 02:06 PM
> Subject: Re: Notation of french
horn
>
> Interesting to see the variations that occur.
>
> fre 2012-04-27 klockan 11:50 -0700 skrev Tim Reeves:
> > Mozart horn concerto in D major (1791) - originally played on
a
> > natural horn with a D crook, so written with no key signature
- the
> > modern player playing on an F horn simply (!) transposes the
part down
> > a minor third as he plays it. Exception is to transpose the part
for
> > him, so write it out for horn in F. Then the key signature is
two
> > sharps (for the horn - one sharp for everyone else!)
>
> This is beside the main point, but just so I don't misunderstand
> something. Music in D major would have tree sharps for an instrument
in
> F and two sharps for non-transposing instruments, wouldn't it?
>
> Jonas
>
Yes. I changed that example and didn't
correctly change the key signature description.