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Re: Grace notes and ties in multiple voices and staves
From: |
Alex Voice |
Subject: |
Re: Grace notes and ties in multiple voices and staves |
Date: |
Sun, 23 Dec 2012 00:07:55 +0000 |
User-agent: |
Microsoft-MacOutlook/14.2.5.121010 |
On 22/12/2012 21:45, "Reinhold Kainhofer" <address@hidden>
wrote:
>On 2012-12-22 19:25, Alex Voice wrote:
>> I have been setting myself various tasks to see if I can use LilyPond to
>> its utmost, but some bars of Godowsky (an arrangement of Chopin for
>> piano left hand) are stretching me too far for now, even though I am
>>certain that
>> LilyPond can cope with them in some way.
>
>Wow, that's really quite a piece to typeset! I find it particularly hard
>to determine how many voices to use...
I'm up to four in each hand (so far).
>Are the first three sixteenth notes of that grace note meant to be a
>triplet? If so, all the grace commands need to be changed accordingly.
It's not clear, unless that's what is indicated by the subdivided beam.
>It seems like positioning fingerings (and preventing collisions for
>them) is not really one of the strength of Lilypond ...
I shall continue to tweak the fingering - Xavier Scheuer has made bold and
instructive attempts at this also.
>I tried to fix some of the fingering positions, but not all of them. You
>should get an idea how to do it, though.
>
>Cheers,
>Reinhold
>
>--
>------------------------------------------------------------------
>Reinhold Kainhofer, address@hidden, http://www.kainhofer.com
> * Financial & Actuarial Math., Vienna Univ. of Technology, Austria
> * http://www.fam.tuwien.ac.at/, DVR: 0005886
> * Edition Kainhofer, Music Publisher, http://www.edition-kainhofer.com
Thank you so much - it will take me some time to go through it carefully
and work out how you've managed to get the various elements to cooperate
with each other, but I will have learned a lot!
Alex