If you've moved the right hand to the lower stave,
the upper stave should have spacer rests, rather than visible rests.
Visible rests imply that something (the right hand...) is
resting.
-- Phil Holmes
----- Original Message -----
Sent: Thursday, January 31, 2013 10:27
AM
Subject: Re: Four piano snippets
I just realized one problem with having cross-stave lines
everywhere is that it makes crescendos and decrescendos and dynamic markings
problematic. What a tough nut this is.
Going off of several of your suggestions and trying to understand David
Kastrup's point about "cross-voice" (David, I'm not sure I followed), here's a
revision of the first eight bars. It's complicated by the fact that
sometimes I actually do alter the tremolo pattern when there is a piano note
at the same time. How does this look?
Hi Curt,
I would definitely use #2 and #3
alternatingly, depending on the context. What I like especially about #3
are the alternating stem directions, which immediately tell me (as a
pianist, not as a typographer) your idea. Maybe you could incorporate this
in #2 also, even if it might use somewhat more vertical space? The patterns
with all-down stems in #1, #2 and #4 _seem_ to suggest that the left hand
part is considerably lower than the right hand, and are therefore somewhat
irritating for me.
Best Urs
PS: And yes, please leave out
(most of) the fingerings. You may print the "1 2" at the beginning of the
right hand, and you may suggest the "3" for the melody. But the rest is
really superfluous (and therefore disturbing). You can't (and don't have to)
tell which fingering a pianist might chose for the left hand.
Am
29.01.2013 03:43, schrieb Curt:
Hi, I am very torn about how to notate a piano figure of a
simple piano prelude I wrote. Below are four screenshot snippets of
the figure in question (the entire prelude is made up of such figures).
Can someone help recommend the best approach or suggest an
improvement? I can forward source for any of them if anyone needs
it.
Thanks,
Curt
#1 - what I started with, but it just takes up so much space (four
bars in)
<Mail Attachment.png>
#2 - treble clef (sample of those four bars in a different
file)
<Mail Attachment.png>
#3 - bass clef
<Mail Attachment.png>
#4 - tremolos, with four additional bars
<Mail Attachment.png>
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