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Re: the question of triplets


From: Hilary Snaden
Subject: Re: the question of triplets
Date: Sat, 27 Apr 2013 19:35:49 +0100
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On 27/04/13 14:41, David Kastrup wrote:
Hilary Snaden<address@hidden>  writes:
\tuplet has a nicer way to deal with tupletSpannerDuration, by the way.

So you can continue using it if you want to, but in a few years,
newcomers might no longer recognize what you are doing even though
LilyPond most likely will.
>
\tuplet y/x is more logical, and would have been a better way of doing
it from the outset, but it's really not that difficult mentally to
associate \times x/y with playing y notes in the time of x.

It usually takes frequent use to arrive at that mental state, and there
are enough real problems with writing music that we don't need to create
artificial hurdles just to keep things interesting.

There are 1224 \times in my own compositions, and 14656 in my engravings of other composers' work. I've no idea how many of those were copied and pasted, but nevertheless that probably counts as frequent use.

That's why in this case we agreed on "disappearing" the "old" way of
writing tuplets from the LilyPond code base.  Sure, it will take a few
years to go down the pipes.

I can probably cope with that timescale. I'll certainly take a look at \tuplet when 2.18 materialises.



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