Re: More post-divisi oddities

[David Kastrup]

Vaughan McAlley <address@hidden> writes:

> On 3 July 2013 08:52, Nick Payne <address@hidden> wrote:
>
>> I built your example with 2.17.21. No warnings at all in the log,
>> and the only problem I can see anywhere in the output is in the
>> piano reduction mm 3 & 4, where the tie between the two whole notes
>> in the upper voice goes through the head of the half note in the
>> lower voice, and that can be fixed by using ^~ rather than _~.
>>
>
> Guy was suggesting uncommenting the first \score section down the
> bottom. In that case there is all sorts of strange stuff going on. It
> looks like the \oneVoice / \stemNeutral commands (which are directed
> at the full score) are being picked up by the reduction.

I have no idea what you mean with "are being picked up by the reduction"
and "are directed at the full score".  His "reduction" places
_everything_ (with the exception of the side voices) into a single
voice.  Of course, this voice will share stem directions, slur
directions, and every other property.

He might want to look at \partcombine.

-- 
David Kastrup