Re: merging notes

[Karl Hammar]

Peter Bjuhr:
> On 09/06/2013 11:32 AM, Karl Hammar wrote:
> > The same thing with rests, if only on rest, it applies both voices
> > if one rest and one note, seperate voices.
> > If only one whole note, both voices.
> >
> > Two whole notes at same pitch just looks strange.
> > Have a look at:
> >
> >   http://turkos.aspodata.se/motett/c_saint_saens/4_air.pdf
> >
> I refer again to Behind Bars by Elaine Gould. Here is a scan from p 52:
> https://docs.google.com/file/d/0B627QNBiKcXpdXFJWVpkR2o0MFE/edit?usp=sharing

Doesn't work for me, google complains I have a unsupported browser...
Or it might be that my connection is too slow.

It might wery well be so that Ms. Gould likes the double whole notes
and have some good rationale for it, but I only think it looks
strange, and if I thinks so, the choir will certantly also think so.

To lessen confusion, I'd like to merge them.

> Isn't this comparable to your example?
> >>
> >> >For the fermata you could perhaps find a solution here:
> >> >http://lsr.dsi.unimi.it/LSR/Item?id=372
> > Thanks, that worked.
> Great, thanks!

:)

Regards,
/Karl Hammar

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