Re: "smart" transposition of key signatures

[Hans Aberg]

On 8 Oct 2013, at 09:41, Urs Liska <address@hidden> wrote:

> One thing you'd have to consider is that it isn't _always_ appropriate to 
> start the enharmonic change at exactly the same position. I've encountered 
> several instances where I had to change one voice later than the others or 
> split a long note into two enharmonically equivalent ones and add a Tie over 
> them (or rather a fake Tie/Slur, just another issue …).

Strictly speaking, you are indicating where you want the pitch to slip.