Re: mid-measure key change

[Alex Loomis]

If this is something you're composing, general practice would suggest you move it to the beginning or end of the bar. That said, you could make time signatures and bar lines temporarily invisible and represent that internally as two bars of 2/2.

\version "2.16.2"

global = {

\key c \major

\numericTimeSignature

\time 4/2

\hideNotes \grace g

\unHideNotes

\once \override Score.TimeSignature #'transparent = ##t

\time 2/2

\override TupletBracket #'bracket-visibility = ##f

\override TupletNumber #'stencil = ##f

}

rightOne = \relative c'' {

\global

g1 \key ges \major c,1\fz

}

rightTwo = \relative c'' {

\global

\times 2/3 {

r8 g, bes d bes g bes g bes d bes g

\once \override Score.BarLine #'color = #white

\bar "'"

\change Staff = "left" \stemUp

aes\rest c, ges' beses ges c, ges' c, ges' beses ges c, }

}

left = \relative c' {

\global

bes,,1 ( \key ges \major eeses )

}

\score {

\new PianoStaff <<

\new Staff = "right" << \rightOne \\ \rightTwo >>

\new Staff = "left" { \clef bass \left }

>>

\layout { }

}

On Sun, Dec 15, 2013 at 9:50 PM, Mark Stephen Mrotek <address@hidden> wrote:

Hello,

 

The key change in the upper staff can be properly aligned (after the “g”) if I use \bar '' '' and \break. This disrupts Lilypond’s auto-spacing.

 

Is another solution possible?

 

Thank you.

 

Mark

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