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Re: calling all opera/musical engravers
From: |
karl |
Subject: |
Re: calling all opera/musical engravers |
Date: |
Mon, 16 Dec 2013 23:14:25 +0100 (CET) |
Kieren:
> I would love to hear from anyone who has engraved a full opera or
> musical (with at least vocal score plus full score) in Lilypond.
If you count H.Purcells Dido et Æneas for a "full" opera, take a look
at:
http://turkos.aspodata.se/noter/dido_et_aeneas/
> Specifically:
> 1. Is lilypond-book the only sane way to do it?
No, nowadays I genereate the eps's (as if I was running ly..-book), then
\input the xx-systems.tex from latex.
I got fed up of the anonymous lily-.. files and when I started this
lilypond-book didn't handle the dependancies right. Perhaps it does
now.
> 2. What functions/extensions/tricks did you use to bend Lily to your will?
Have a look at the makefile in:
http://turkos.aspodata.se/git/musik/include/
> 3. What pitfalls are to be watched for (and hopefully avoided)?
> 4. What limitations cannot [currently] be overcome?
Cannot answer thoose two right now.
Regards,
/Karl Hammar
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- calling all opera/musical engravers, Kieren MacMillan, 2013/12/16
- Re: calling all opera/musical engravers,
karl <=
- Re: calling all opera/musical engravers, Derek, 2013/12/16
- Re: calling all opera/musical engravers, Luca Rossetto Casel, 2013/12/16
- Re: calling all opera/musical engravers, Mike Solomon, 2013/12/17
- Re: calling all opera/musical engravers, Urs Liska, 2013/12/17
- Re: calling all opera/musical engravers, Jan-Peter Voigt, 2013/12/17
- Re: calling all opera/musical engravers, Mike Blackstock, 2013/12/17
- Re: calling all opera/musical engravers, Jean-Charles Malahieude, 2013/12/17