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Re: What is LilyPond's ideal of "classical music engraving" ?


From: Phil Holmes
Subject: Re: What is LilyPond's ideal of "classical music engraving" ?
Date: Wed, 19 Feb 2014 18:11:42 -0000

----- Original Message ----- From: <address@hidden>
To: <address@hidden>
Sent: Wednesday, February 19, 2014 4:30 PM
Subject: What is LilyPond's ideal of "classical music engraving" ?



Howdy!

        I am starting to investigate how Ties and Slurs should look
according to the
statement on lilypond.org that lilypond

        "creates beautiful sheet music following the best traditions of
classical music engraving."

      I was looking at a couple of engravings, Ralph Kirkpatrick's
Shirmer Goldberg and
the OpenGoldberg....

       the more engraving's I look at, computer generated or not, the
more I realize
how good LilyPond is... So where is an example of good historical
engraving that
is diverse enough in its content so as to be representative of that model
that
LilyPond seeks to emulate?

         -steve


I would say one thing: that in terms of consistency, LilyPond outperforms a number of earlier pieces of engraved music hands down. I was having a look at the Augener version of "Six Shropshire Songs" by Butterworth and the ties in that would drive Janek round the bend. Asymmetrical, not even level, no consistency where they start or finish. I do think it's possible we're getting over-critical, just because computers can be so perfect.

--
Phil Holmes



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