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Re: Double key signature
From: |
Jacques Menu |
Subject: |
Re: Double key signature |
Date: |
Wed, 25 Jun 2014 10:19:46 +0200 |
Hello Mats end Pierre,
For the rest of us: what where the good points at the time in using 8 line
staves?
JM
Le 25 juin 2014 à 09:36:47, Mats Bengtsson <address@hidden> a écrit :
> Pierre Perol-Schneider <pierre.schneider.paris <at> gmail.com> writes:
>
>>
>>
>>
>>
>> Hi All,
>> On the french list we are working on a Merulo score with an 8 lines staff,
> 2 clefs and 2 key signature : *
> http://lilypond-french-users.1298960.n2.nabble.com/Portee-a-huit-lignes-deux-clefs-et-deux-bemols-tt7581415.html*
> http://lilypond-french-users.1298960.n2.nabble.com/file/n7581418/merulo.png
>
> Interesting! I have started typesetting some of Westhoff's solo violin
> suites, which originally were typeset using a similar 8 line staff, see
> http://imslp.org/wiki/Suites_for_Solo_Violin_%28Westhoff,_Johann_Paul_von%29
> As an additional feature, Westhoff used unequal spacing between the staff
> lines, with additional spacing below the 3rd and 5th staff line.
> I have contemplated on the possibilities to achieve this with LilyPond, but
> concluded that it seems very challenging, since not only the staff lines but
> also all pitch positions have to be adjusted. On the other hand, the primary
> reason I'm typesetting the pieces with LilyPond is that I have such a hard
> time to read the 8 line notation that I wanted to have them in standard
> notation to be able to play them.
>
> /Mats
>
>
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