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From: | Simon Albrecht |
Subject: | Re: Crescendos, sforzandos, and "impossible" MIDI volumes |
Date: | Sat, 28 Jun 2014 00:23:56 +0200 |
User-agent: | Mozilla/5.0 (X11; Linux i686; rv:24.0) Gecko/20100101 Thunderbird/24.4.0 |
Am 27.06.2014 20:42, schrieb Knute Snortum:I agree that the MIDI volume should go back to the previous value (whatever that is…) after \sf. This correctly reflects its musical meaning for what I think. However, I don’t think it is wrong for \sf to stop a (de)crescendo. In any case, it makes much more sense to me to start another one after the \sf than for a (de)crescendo to continue “through” the \sf. So it’s essentially good for \sf to be interpreted as dynamic mark. I am getting the impression that we are reaching the boundaries of an automatic, numerical determination of the intended dynamic values. In other words, ambiguities arise, which are no problem for a human interpreter, who may then decide in accordance with the context (for better or worse…), and needn’t be eradicated, as I already stated in a similar discussion. What do you think of defining \sf so that it plays only the affected note, say, 30% louder than the surroundings? Which leads to problems if the previous volume isn’t precisely defined, as in Knute’s example: \relative c' { c4 \p \cresc d e f |
g a b c |
% crescendo arriving at 70% ? d \sf \cresc c b a |
% d played at 100%, the next crescendo starting again from 70% ? g f e d \f |
c1
}
(Note that I have no idea how this is currently or might in future
be implemented…)Just my 2cts, Simon |
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