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From: | Urs Liska |
Subject: | Best practice with inconsistent "à 2" |
Date: | Thu, 07 Aug 2014 14:49:00 +0200 |
User-agent: | Mozilla/5.0 (X11; Linux i686; rv:24.0) Gecko/20100101 Thunderbird/24.6.0 |
Hi folks,I have a large romantic score in front of me. In the handwritten score the \partcombine stuff is done inconsistently for unisono sections: sometimes it's written as one voice with "à 2", sometimes as two voices, i.e. one notehead with stems up and down. So far I can't see any reason for this inconsistency.
What would people with more experience with orchestral scores suggest: - transcribe everything as it is in the model? - make it consistent: - use "à 2" always? - use voices always? Best Urs
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