[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Ly file (Re: Same distance staff in a book.)
|
From: |
Peter Terpstra |
|
Subject: |
Ly file (Re: Same distance staff in a book.) |
|
Date: |
Fri, 19 Sep 2014 23:09:23 +0200 |
|
User-agent: |
KNode/4.14.1 |
Menuetto and Trio are the problem makers here.
\version "2.18.2"
\header {
title = \markup \fontsize #7.0 { \override #'(font-name . "Respective") {
"Trois Sonatines" }}
composer = \markup \fontsize #4.0 { \override #'(font-name . "Respective") {
"Mauro Giuliani (1781 - 1829)" }}
opus = \markup \fontsize #4.0 { \override #'(font-name . "Respective") {
"Opus 71" }}
tagline = \markup { \general-align #Y #-2 { \epsfile #X #11
#"/home/peter/LLP/OM_MANI_PADME_HUM-bw.eps" }}
copyright = \markup \bold \with-color #darkred \fontsize #-4.0 "Thanks go to
www.lilypond.org & www.frescobaldi.org for creating the software to produce
this
document!"
}
\paper {
#(set-paper-size "a4")
#(layout-set-absolute-staff-size (* 19.00 pt))
bottom-margin = 1.27\cm
top-margin = 0.32\cm
oddHeaderMarkup = \markup \fill-line { {
\bold \fontsize #-2 \on-the-fly #print-page-number-check-first
\fromproperty #'page:page-number-string } }
evenHeaderMarkup = \markup \fill-line { {
\bold \fontsize #-2 \on-the-fly #print-page-number-check-first
\fromproperty #'page:page-number-string } }
%ragged-bottom = ##t
ragged-last-bottom = ##t
%page-breaking = #ly:page-turn-breaking
%system-system-spacing =
% #'((basic-distance . 7)
% (minimum-distance . 6)
% (padding . 1)
% (stretchability . 8))
}
scoreAGlobal = {
\key c \major
\time 2/2
\tempo \markup \italic \fontsize #-3.0 4=76
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
}
atemp = \markup { \fontsize #-3.0 \bold \italic "a tempo" }
prit = \markup { \fontsize #-3.0 \bold \italic "poco ritenuto" }
ritard = \markup { \fontsize #-3.0 \bold \italic "ritardando" }
dim = \markup { \fontsize #-3.0 \bold \italic "diminuendo" }
%Maestoso - 1: highest
scoreAClassicalGuitarVoiceOne = \relative c' {
\scoreAGlobal
\partial 4 g4 | c c d d | %2
e c g'4. f8 | e4 c a d | %4
c2 b8. [g16 a8. b16] | c4 c d d | %6
e c g'4. f8 | e8. [c16 a8. d16] c4 b | %8
d2 c4 e8. f16 | g2 r8. a,16[ e'8. g16] | %10
f2 r8. g,16 [d'8. f16] | e4 c a8. [b16 c8. d16] | %12
c2 b8. [g16 a8. b16] | c4 c d d | %14
e c g'4. f8 | e8. [c16 a8. d16] c4 b | %16
d2 c8 g [a b]_\atemp | c4 c d d | %18
e c g'4. f8 | e4 c a8 b c d | %20
c2 b8 g a b | c4 c d d | %22
e c g'4. f8 | e8 c a d c4 b | %24
d2 c4 e8 f | g2 r8 a, e' g | %26
f2 r8 g, d' f | r e d c b-0 a-3 f'-2 d-4 | %28
c2 b8 g a b | c4 c d d | %30
e c g'4. f8 | e c a d c4 b | %32
d2 c4\fermata \tuplet 3/2 4 { g8 a b } | \tuplet 3/2 2 { r8\p g [c] r g [c]
r g [d'] r g, [d'] | %34
\omit TupletBracket \omit TupletNumber r g, [e'] r g, c r g [g'] r g, f' | r
g, e' r g, c r a [d] f [e d] | %36
r e, [g] c [g e] b' [g gis] a [ais b]
| r g [c] r g [c] r g [d'] r g, [d'] | %38
r g, e' r g, c r g g' r g, f' | r g,
e' r a, d r g, c r g [b ] | %40
r f [g] b [g f] ]} c'4 \tuplet 3/2 2
{ e8-0 [f-1 fis-3] | r g, [g'] r g, [f'!] r a, [e'] a [as g] | %42
r a,-3 f'-2 r a, e' r g, [d'] g [ges
f] | r g, e' r g, c r a d f [e d] | %44
r e, [g] c [g e ] b' [g gis] a [ais b]
| r g [c] r g [c] r g [d'] r g, [d'] | %46
r g, [e'] r g, [c] r g [g'] r g, [f']
| r g, [e'] r a, [d] r g, c r g b | %48
r f [g] b [g f] } <e c'>4 g16 (a) b g
| r g c g r g c g r g d' g, r g d' g, | %50
r g e' g, r g c g r g g' g, r g f' g, | r g e' g, r g c g r a [d a f' a, d
a] | %52
r g c g e g c g b8 fis16 g gis a ais b | r g c g r g c g r g d' g, r g d' g,
| %54
r g e' g, r g c g r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b |
%56
\set strokeFingerOrientations = #'(down)
\override StrokeFinger.add-stem-support = ##t
r d,-\rightHandFinger #1 _\ritard g b f' b, g d <c' e>4 e8 f | r16 g, g' g, r
g f' g, r a [e' a, a'-4 a, g'-2 a,] | %58
r a f'-2 a, r a e' a, r g d'-3 g, g'-4 g, f'-1 g, | r g e' g, r g c g r a d a
f' a, d a | %60
r g c g e g c g b8 fis16 g gis a ais b | r g c g r g c g r g d' g, r g d' g,
| %62
r g e' g, r g c g r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b |
%64
c g e g c g e' g, r g g' g, r g f' g, | e' g, e g c g e' g, r g g' g, r g f'
g, | %66
r g c e r f, a d r e, g c r d, g b | c g e g c g e' g, r g g' g, r g f' g, |
%68
e' g, e g c g e' g, r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b
| %70
c g e g c g e' g, c g e g c g e' g, | c4 <g c e ><g c e><g c e> | %72
<g c>2 r \bar ".."
}
%2 - Maestoso: lowest
scoreAClassicalGuitarVoiceTwo = \relative c {
\scoreAGlobal
\set fingeringOrientations = #'(down) \override Fingering.add-stem-support =
##t
\partial 4 r4 | e c b g | %2
c e b g | <c-4> e f2 | %4
e4 g d r | e c b g | %6
c e b g | c-4 f e d | %8
f g e r | e d cis r | %10
d c! b r | c4 e f2 | %12
e4 g d r | e c b g | %14
c e b g | c-4 f e d | %16
f g e r | e8 [g c, g'] b, [g' g, g'] | %18
c, [g' e g ] b, g' g,4 | c8 [g' e g ] f,2 | %20
g8 g' e g <g, d'>4 r | e'8 g c, g' b, g' g, g' | %22
c, g' e g b, g' g,4 | c4 f e8 g d g | %24
b, g' f g c,4 r | e8 f e d cis4 r | %26
d8 e d c! b4 r | c2 f,-1 | %28
g8-3 g' e g <g, d'>4 r | e'8 g c, g' b, g' g, g' | %30
c, g' e g b, g' g,4 | c4 f e8_\prit g d g | %32
b, g' f g c,4 s | e c b g | %34
c e b g | c e f,2 | %36
g g4 r | e' c b g | %38
c e b g | c f e d | %40
g,2 c4 r | e d cis r | %42
d c b-2 r | c e f,2 | %44
g2 g4 r | e' c b g | %46
c e b g | c f e d | %48
g,2 c4 r | e c b g | %50
c e b g | c e f,2 | %52
g d'4 r | e c b g | %54
c e b g | c f, g g | %56
\set strokeFingerOrientations = #'(down)
\override StrokeFinger.add-stem-support = ##t
g2-\rightHandFinger #1 c4 r | e d cis-3 r | %58
d c-4 b-2 r | c e f,2 | %60
g2 d'4 r | e c b g | %62
c e b g | c f, g g | %64
c2 b4 g | c2 b4 g | %66
c f, g g | c2 b4 g | %68
c2_\dim b4 g | c f, g g | %70
c2\< c | c4\!\f c g e | %72
<c' e>2 r
}
%Maestoso 3: second highest
scoreAClassicalGuitarVoiceThree = \relative c' {
\scoreAGlobal
}
% Maestosos 4: second lowest
scoreAClassicalGuitarVoiceFour = \relative c' {
\scoreAGlobal
}
scoreBGlobal = {
\key f \major
\numericTimeSignature
\time 3/4
\tempo 4=92
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
}
shftL-m = { \once \override NoteColumn #'force-hshift = #-1.6 }
shftL-s = { \once \override NoteColumn #'force-hshift = #-0.6 }
shftR-ss = { \once \override NoteColumn #'force-hshift = #0.2 }
shftL-z = { \once \override NoteColumn #'force-hshift = #-1.0 }
shftR-l = { \once \override NoteColumn #'force-hshift = #0.70 }
% higest 1: Menuetto Allegretto
scoreBClassicalGuitarVoiceOne = \relative c' {
\scoreBGlobal
\repeat volta 2 {
\partial 4 a8. bes16 | c4 <a c> <a c> | %2
\shftL-m c8. d16 c4 g'8. e16 | c4\shftL-m c\shftL-m c | %4
\shftL-s c8. d16 c4 a'8. g16 | f8. e16 d8. c16 bes8. a16 | %6
g4 g bes8. a16 | g4 g8. a16 g8. f16 | %8
e2 a8. bes16\p | c4 <a c> <a c> | %10
\shftL-m c8. d16 c4 g'8. e16 | c4\shftL-m c\shftL-m c | %12
\shftL-s c8. d16 c4 a'8. g16 | f8. e16 d8. c16 bes8. a16 | %14
g8. a16 bes8. c16 d4 | e, e8. f16 g8. e16 | %16
f2 }
\repeat volta 2 { a8. g16 | g4 g g | %18
g e'8. c16 g4 | g f'8. e16 g,4 | %20
g g'8. f16 e8. d16 | cis4 <a cis> <a cis> | %22
d8. e16 f8. g16 a4 | r <g, e'> <f d'> | %24
<e c'> r <f d'> | <g e'> r <a f'> | %26
<bes g'> r <a fis'> | <bes\! g'> r <bes g'> | %28
r <bes g'> r | <bes g'>2\fermata a8. bes16 | %30
c4 <a c> <a c> |\shftL-m c8. d16 c4 g'8. e16 | %32
c4 \shftL-m c \shftL-m c | \shftL-s c8. d16 c4 a'8. g16 | %34
f8. e16 d8. c16 bes8. a16 | g8. a16 bes8. c16 d4 | %36
e, e8. f16 g8. e16 | f2 s4 } %blanc line
{
\once \override TextScript.extra-offset = #'( 0 . -4.4 )
<>^\markup
\column {
{ \bold \fontsize #-3 " Volti Trio" }
{ \raise #1.0 \bold \fontsize #-3 " Fine" }
}
}
s2. \bar "|"
}
% LOwest 2: Menuetto Allegretto
scoreBClassicalGuitarVoiceTwo = \relative c {
\scoreBGlobal
\partial 4 r4\p | r\< f, f\! | %2
\shftL-z e2\sf r4\p | r\shftL-z e\< \shftL-z e \! | %4
\shftL-s f2\sf r4 | r2. | %6
<bes d>4 <bes d> r | r <bes d> r | %8
r c r | r f, f | %10
\shftL-z e2 r4 | r\shftL-z e\shftL-z e | %12
\shftL-s f2\sf r4\f | r2. | %14
<bes d>4 r r | bes bes r | %16
a f r | r\shftR-ss <b f'>\shftR-ss <b f'> | %18
<c e>2 r4 | < b d> 2 r4 | %20
<c e>2 r4 | r e, e | %22
f r r | g2 b4 | %24
r8. c16 c4 r | r8. c16 c4 r | %26
r8. c16 c4 r | r8._\markup \italic \teeny "Crescendo" c16 c4 r8. d16 | %28
d4 r8. dis16 dis4 | e2\f r4\p | %30
r_\< f, f\! |\shftL-z e2 r4 | %32
r_\< \shftL-z e \shftL-z e\! | \shftL-s f2 r4 | %34
r2.\f | <bes d>4 r r | %36
bes bes r | a f s4
}
% Second highest: Menuetto Allegretto
scoreBClassicalGuitarVoiceThree = \relative c' {
\scoreBGlobal
}
% Second lowest 4: Menuetto Allegretto
scoreBClassicalGuitarVoiceFour = \relative c {
\scoreBGlobal
\partial 4 s4 | s s2 | %2
bes'2. | s4 bes bes | %4
a2. | s2. | %6
s2 s4 | s2. | %8
s | s | %10
bes2 s4 | s4 bes bes | %12
a2 s4 | s2.*9 | %22
\once \override NoteColumn #'force-hshift = #0.0 a4 s2 | s2.*8 | %31
bes2 s4 | s bes bes | %33
a2 s4
}
scoreCGlobal = {
\key f \major
\numericTimeSignature
\time 3/4
\tempo 4=92
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
}
%Higest: Trio
scoreCClassicalGuitarVoiceOne = \relative c' {
\scoreCGlobal
\repeat volta 2 {
\partial 4 c8 c | b\! c d c bes g | %2
r a, f' a c4 | r8 c, e bes' c4 | %4
r8 a c f e d | c b\! d c bes g | %6
r a, f' a c4 | r8 e, g bes a g | %8
f2 }
\repeat volta 2 { f'8 e | d4 d d8 c | %10
c4 c d8 c | c (b\!) a g a b | %12
c e g fis f e | d4 d e8 d | %14
c4 b8\! ( c) d c | b\! a f' d c b | %16
r c b\! c d, c' | r c b\! c f, c' | %18
r c b c a c | bes c g c a c | %20
bes\! c g c a c | bes c b\! c des c | %22
b\! c d c bes g | r a, f' a c4 | %24
r8 c, e bes' c4 | r8 a c f e d | %26
c b d c bes g | r a, f' a c4 | %28
r8 e, g bes a g | f2 s4 }
}
% 4: Lowest Trio
scoreCClassicalGuitarVoiceTwo = \relative c {
\scoreCGlobal
\repeat volta 2 {
\partial 4 r4 | r2. | %2
f4 r r | g r r | %4
f r r | r2. | %6
f4 r r | c r r | %8
r4 f, }
%\break
\repeat volta 2 { r4 | g8 g'g,8 g' r4 | %10
e8 g c, g' r4 | d r r | %12
c r r | b8 g' g, g' r4 | %14
e8 g e,2 | f g4 | %16
c2 d4 | e2 f4 | %18
g2 a4 | bes g a | %20
bes g a | bes r r | %22
r2. | f4 r r | %24
g r r | f r r | %26
r2. | f4 r r | %28
c r r | r f, s }
{
\once \override TextScript.extra-offset = #'( 0 . -4.5 )
<>^\markup {
\column {
{ \bold \fontsize #-3 " D : C : Menuetto" }
{ \raise #0.5 \bold \fontsize #-3 " Sino al Fine" }
}
}
s2. \bar "|"
}
}
% 3: Second higest
scoreCClassicalGuitarVoiceThree = \relative c' {
\scoreCGlobal
}
% 4: Second lowest
scoreCClassicalGuitarVoiceFour = \relative c {
\scoreCGlobal
\partial 4 s4 | %1
s2.*8 | %9
s4 \once \override NoteColumn #'force-hshift = #0.0 \once \override Stem
#'length-fraction = #0.7 f s | %10
}
scoreDGlobal = {
\key c \major
\numericTimeSignature
\time 2/4
\tempo 4=69
\mergeDifferentlyHeadedOn
\mergeDifferentlyDottedOn
}
% 1: higest - Rondo
scoreDClassicalGuitarVoiceOne = \relative c' {
\scoreDGlobal
\partial 4 c8 c | c16 b a g f'8 f | %2
f16 e d c g'8 <g, b> | c8 d16 e f8 e | %4
d16 g, a b c8 c | c16 b a g f'8 f | %6
f16 e d c g'8 c, | a16 b c d c8 b | %8
c4 c8 c | c16 b a g f'8 f | %10
f16 e d c g'8 b, | c16 g d' e f8 e | %12
d16 g, a b c8 c | c16 b a g f'8 f | %14
f16 e d c g'4 | r16 a, e' d c8 b | %16
c4 r16 g g' g, | g' g, f' g, r g e' g, | %18
e' g, d' g, r g g' g, | r g f' g, r g es' g, | %20
r g d' g, b d, d' c | b d, a' d, c' d, e' d | %22
c d, b' d, d' g, g' g, | r g e' c a d, d' d, | %24
c' g b g d' g, g' g, | r g e' c b d c a | %26
r g g g b g c g | d' g, e' g, f' g, e' g, | %28
d' g, g g b g c g | d' g, e' g, f' g, e' g, | %30
d' g, g g d' g, e' g, | f' g, g g d' g, e' g, | %32
f' g, a b c8 c | c16 b a g f'8 f | %34
f16 e d c g'8 b, | c16 g d' e f8 e | %36
d16 g, a b c8 c | c16 b a g f'8 f | %38
f16 e d c g'4 | r16 a, e' d c8 b | %40
c4 r | r r16 c e a | %42
e4 r16 f e d | a, c' f, a d, b' e, gis | %44
r a e c a8 r | r4 r16 c' e a | %46
f4 r16 d g f | c, e' a, c f, d' g, b | %48
r c g e c8 e'16 [f] | g f e d cis4 | %50
f,16 a e cis' r a d e | f e d c! d, b' dis, a' | %52
r16 gis b gis e8 r | r4 r16 e' a g | %54
f4 r16 d g f | e4 r16 c f e | %56
d4 r16 b e d | c f e dis e gis, b d | %58
c f e dis e gis, b d | r c b a r b a gis %60
r a e c a8 e''16 [f] | g f e d cis4 | %62
f,16 a e cis' r a d e | f e d c b4 | %64
e,16 g d b' r g c d | e g, e' g, r g f' g, | %66
r g g' g, r a f' d | d8 c r16 g d' g, | %68
dis' g, e' g, r g c d | e g, e' g, g' f e f | %70
r g, g' g, r g f' e | e a, d a r d, c' d, | %72
b' d, d' d, r d c' a | b d, d' d, r d c' a | %74
r g g g b g c g | d' g, e' g, f' g, e' g, | %76
d' g, g g b g c g | d' g, e' g, f' g, e' g, | %78
d' g, g g d' g, e' g, | f' g, g g d' g, e' g, | %80
f' g a g f e d c | b g a b c8 c | %82
c16 b a g f'8 f | f16 e d c g'8 b, | %84
c16 g d' e f8 e | d16 g, a b c8 c | %86
c16 b a g f'8 f | f16 e d c g'4 | %88
r16 a, e' d c8 b | c,16 <c' e> b, <c' e> a, <c' e> gis, <c' e> | %90
a, <c' e> e,, <c'' e> f,, <c'' e> fis,, <c'' e> | r <c e> <c e> <c e> r <g
d'> <g d'> <g d'> | %92
\tuplet 3/2 8 { \omit TupletNumber c, [c' e] b, [c' e] a,, [c' e] gis,, [c'
e] | a,, [c' e] e,, [c'' e] f,, [c'' e] fis,, [c'' e] } | %94
r <g, c e ><g c e><g c e> r <g b g'> <g b g'> <g b g'> | c g e_\markup {
\fontsize #-3.0 \bold \italic "diminuendo" } g c g e' d | %96
c g e g c g e' d | c8 <g c e><g c e><g c e> | %98
<g c e>2\fermata \bar "|."
}
% 2: lowest Rondo
scoreDClassicalGuitarVoiceTwo = \relative c {
\scoreDGlobal
\partial 4 <c g'>8 <e g> | <d g>4 <b g'>8 <d g> | %2
<c g'>4 r8 \once \override NoteColumn #'force-hshift = #0.15 f | <e g>4 <d
g>8<c g'> | %4
g4 <c g'>8<e g> | <d g>4 <b g'>8<d g> | %6
<c g'>4 r8 <e g> | f4 <e g>8<d g> | %8
c4 c16\f g' e g | d4 b16 g' d g | %10
c,4 e16 g f g | e4 d16 g c, g' | %12
g,4 c16 g' e g | d4 b16 g' d g | | %14
c,4 r16 e g c | f,4 e16 g d g | %16
c,4 e\p | d c | %18
b es | d c | %20
b g | fis a | %22
g b | c fis, | %24
g b | c d | %26
g, g8 a | b c d c | %28
b4 g8 a | b c d c | %30
b4 b8 cis | d4 b8 cis | %32
d4_\markup { \fontsize #-3.0 \bold \italic "ritardando" } c!16 g' e g | d4
b16 g' d g | %34
c,4 e16 g f g | e4 d16 g c, g' | %36
g,4 c16 g' e g | d4 b16 g' d g | %38
c,4 r16 e g c | f,4 e16 g d g | %40
c, g' e g c,8 c16 [d] | e d c b a4\fp | %42
r16 e gis' b e,4 |a,8 f' d e | %44
a,4 r8\mp c16 d | e d c b a4 | %46
r16 e' d c b4 | c8 a' f g | %48
c,4 r | r r16 bes' a g | %50
f8 e d4 | d d8 dis | %52
e,4 r8 c'16 d | e d c b a4 | %54
r16 e' d c b4 | r16 d c b a4 | %56
r16 c b a gis4 | a e | %58
a\ff e | a_\markup { \fontsize #-3.0 \bold \italic rallentando } e | %60
a r4 | r4 r16 bes' a g | %62
f8 e d4 | r r16 as' g f | %64
e8 d c4 | c d | %66
e f | g,16 g' e g b,4 | %68
c c | c d | %70
e c | f, fis | %72
g fis | g fis | %74
g g8 a | b c d c | %76
b4 g8 a | b c d c | %78
b4 b8 cis | d4 b8 cis | %80
d4 r | r c16 g' e g | %82
d4 b16 g' d g | c,4 e16 g f g | %84
e4 d16 g c, g' | g,4 c16 g' e g | %86
d4 b16 g' d g | c,4 r16 e g c | %88
f,4 e16 g d g | c,8 b a gis | %90
a e f fis | g4 g | %92
c8\mp b a gis | a e f fis | %94
g4\f g | c c | %96
c c | r8 c g e |
<c' e>2\fermata \bar "|."
}
scoreDClassicalGuitarVoiceThree = \relative c' {
\scoreDGlobal
}
scoreDClassicalGuitarVoiceFour = \relative c' {
\scoreDGlobal
}
\book {
\bookOutputSuffix ""
\score {
\new Staff \with {
midiInstrument = "acoustic guitar (nylon)"
instrumentName = ""
shortInstrumentName = ""
} { \clef "treble_8" << \scoreAClassicalGuitarVoiceOne \\
\scoreAClassicalGuitarVoiceTwo \\ \scoreAClassicalGuitarVoiceThree \\
\scoreAClassicalGuitarVoiceFour >> }
\header {
piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") {
"Maestoso" }}
opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") {
"Sonatine one, opus 71" }}
}
\layout {
line-width = 190.000 \mm
%\override Score.BarNumber.break-visibility = #all-visible
}
\midi { }
}
\pageBreak
\score {
\new Staff \with {
midiInstrument = "acoustic guitar (nylon)"
instrumentName = ""
shortInstrumentName = ""
} { \clef "treble_8" << \scoreBClassicalGuitarVoiceOne \\
\scoreBClassicalGuitarVoiceTwo \\ \scoreBClassicalGuitarVoiceThree \\
\scoreBClassicalGuitarVoiceFour >> }
\header {
piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") {
"Menuetto Allegretto" }}
opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") {
"Sonatine one, opus 71" }}
}
\layout { line-width = 190.000 \mm
%\override Score.BarNumber.break-visibility = #all-visible
}
\midi { }
}
\pageBreak
\score {
\new Staff \with {
midiInstrument = "acoustic guitar (nylon)"
instrumentName = ""
shortInstrumentName = ""
} { \clef "treble_8" << \scoreCClassicalGuitarVoiceOne \\
\scoreCClassicalGuitarVoiceTwo \\ \scoreCClassicalGuitarVoiceThree \\
\scoreCClassicalGuitarVoiceFour >> }
\header {
piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") {
"Trio" }}
opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") {
"Sonatine one, opus 71" }}
}
\layout { line-width = 190.000 \mm
%\override Score.BarNumber.break-visibility = #all-visible
}
\midi { }
}
\pageBreak
\score {
\new Staff \with {
midiInstrument = "acoustic guitar (nylon)"
instrumentName = ""
shortInstrumentName = ""
} { \clef "treble_8" << \scoreDClassicalGuitarVoiceOne \\
\scoreDClassicalGuitarVoiceTwo \\ \scoreDClassicalGuitarVoiceThree \\
\scoreDClassicalGuitarVoiceFour >> }
\header {
piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") {
"Rondo" }}
opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") {
"Sonatine one, opus 71" }}
}
\layout {
line-width = 190.000 \mm
%\override Score.BarNumber.break-visibility = #all-visible
}
\midi { }
}
}