\version "2.18.0"

\header {
  title = "Merilyn Set"
  % Remove default LilyPond tagline
  tagline = ##f
}

\paper {
  #(set-paper-size "a4")
  indent = 0 \mm
}

\layout {
  \context {
    \Score
    \remove "Bar_number_engraver"
  }
}

global = {
  \key c \major
}

chordNames = \chordmode {
  \global
  % Chords follow here.
  s4 c1*2 f1*2 c1*2 g1*2:7 c1*2 %end of first line
  
}

melody = \relative c'' {
  \global
  \tempo 4=60
  % Music follows here.
  f4                % 0
  g2 e4 d         | % 1
  c2 d4 c         | % 2
  c1              | % 3
  a4 c2 a4        | % 4
  g2 c            | % 5
  e g4 e          | % 6
  d1~             | % 7
  d2. f4          | % 8
  g2 e4 d         | % 9
  c2 d4 c         | % 10
    \bar"|." }   % 32
  




\score {
  <<
    
    \time 4/4
    \partial 4
    
    \new ChordNames \chordNames
    \new Staff { \melody }
    \set Score.skipBars = ##t
    #(set-accidental-style 'modern-cautionary)
    \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
    %% make spanners comprise the note it end on, so that there is no doubt that this note is included.
    \override Score.TrillSpanner #'(bound-details right padding) = #-2
    \override Score.TextSpanner #'(bound-details right padding) = #-1
    %% Lilypond's normal textspanners are too weak:
    \override Score.TextSpanner #'dash-period = #1
    \override Score.TextSpanner #'dash-fraction = #0.5
    %% lilypond chordname font, like mscore jazzfont, is both far too big and extremely ugly (address@hidden):
    \override Score.ChordName #'font-family = #'roman
    \override Score.ChordName #'font-size =#0
    %% In my experience the normal thing in printed scores is maj7 and not the triangle. (olagunde):
    \set Score.majorSevenSymbol = \markup {maj7}
   
  >>
  \header {
    piece = "When You & I Were Young Maggie" 
  }
  \layout {
    %\context {
    % \piece
    %fontSize = #3
    %}
  }
  \midi { }
  
}


chordNames = \chordmode {
  \global
  % Chords follow here.
  s2 c1 e1:7 f1 c1*2 a1:7 d1:m7 g1:7 % first line
  
}

melody = \relative c'' {
  \global
  \tempo 2=60
  % Music follows here.
  e,4 g                                                   | % 0
  c2 d4 e                                                 | % 1
  b4 gis d' c                                             | % 2
  a c, f a                                                | % 3
  g2 c,4 d                                                | % 4
  e2 dis4  e                                              | % 5
  g2 f4 e                                                 | % 6
  d1~                                                     | % 7
  d4. r8 e4 g                                             | % 8
  \bar "|."                                             % 32 
  
}



\score {
  <<
    \time 2/2
    \partial 2
    \new ChordNames \chordNames
    \new Staff { \melody }
    \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
    \set Score.pedalSustainStyle = #'mixed
    %% make spanners comprise the note it end on, so that there is no doubt that this note is included.
    \override Score.TrillSpanner #'(bound-details right padding) = #-2
    \override Score.TextSpanner #'(bound-details right padding) = #-1
    %% Lilypond's normal textspanners are too weak:
    \override Score.TextSpanner #'dash-period = #1
    \override Score.TextSpanner #'dash-fraction = #0.5
    %% lilypond chordname font, like mscore jazzfont, is both far too big and extremely ugly (address@hidden):
    \override Score.ChordName #'font-family = #'roman
    \override Score.ChordName #'font-size =#0
    %% In my experience the normal thing in printed scores is maj7 and not the triangle. (olagunde):
    \set Score.majorSevenSymbol = \markup {maj7}
   
  >>
  \header {
    piece = "A Fool Such as I"
  }
  \layout { }
  \midi { }
}



chordNames = \chordmode {
  \global
  % Chords follow here.
  s2.  d1:7 g1:7 c1 % first line
   d1*2:m   %second line
  c4*5  % last line
  
}

melody = \relative c'' {
  \global
  \tempo 2=60
  % Music follows here.
  \repeat volta 2 {
  e,4 g8 a c4                                             | % 0
 
  d,1                                                      | % 5
  e                                                       | % 6
  }
  \alternative {
  {
    d4 c2. ^fine                                          | % 7
    \break
  }
  
  {
    d4 c2.~                                               | % 8
    c4 c' c c                                             | % 9
  }
  }
  c b b a                                              | % 10
 
  
  g4^ "D.C al fine"                                                | % 17
    \bar "|."                                             % 32 
  
}


% Score 3 on page

\score {
  <<
    \time 2/2
    \partial 2.
    \new ChordNames \chordNames
    \new Staff { \melody }
    \set Score.markFormatter = #format-mark-box-letters %%boxed rehearsal-marks
    \set Score.pedalSustainStyle = #'mixed
    %% make spanners comprise the note it end on, so that there is no doubt that this note is included.
    \override Score.TrillSpanner #'(bound-details right padding) = #-2
    \override Score.TextSpanner #'(bound-details right padding) = #-1
    %% Lilypond's normal textspanners are too weak:
    \override Score.TextSpanner #'dash-period = #1
    \override Score.TextSpanner #'dash-fraction = #0.5
    %% lilypond chordname font, like mscore jazzfont, is both far too big and extremely ugly (address@hidden):
    \override Score.ChordName #'font-family = #'roman
    \override Score.ChordName #'font-size =#0
    %% In my experience the normal thing in printed scores is maj7 and not the triangle. (olagunde):
    \set Score.majorSevenSymbol = \markup {maj7}
   
  >>
  \header {
    piece = "My Blue Heaven"
  }
  \layout { }
  \midi { }
}