\version "2.18.2"

\header {
  title = \markup \fontsize #7.0 { \override #'(font-name . "Respective") { "Trois Sonatines" }}
  composer = \markup \fontsize #4.0 { \override #'(font-name . "Respective") {  "Mauro Giuliani (1781 - 1829)" }}
  opus = \markup \fontsize #4.0 { \override #'(font-name . "Respective") { "Opus 71" }}
  tagline = ##f %\markup { \general-align #Y #-2 { \epsfile #X #11 #"/home/peter/LLP/OM_MANI_PADME_HUM-bw.eps" }}
  copyright = \markup \bold \with-color #darkred \fontsize #-4.0 "Thanks go to www.lilypond.org & www.frescobaldi.org for creating the software to produce this
document!"
}

\paper {
  #(set-paper-size "a4")
  #(layout-set-absolute-staff-size (* 19.00 pt))
  bottom-margin = 1.27\cm
  top-margin = 0.32\cm
  oddHeaderMarkup = \markup \fill-line { {
    \bold \fontsize #-2 \on-the-fly #print-page-number-check-first
    \fromproperty #'page:page-number-string } }
  evenHeaderMarkup = \markup \fill-line { {
    \bold \fontsize #-2 \on-the-fly #print-page-number-check-first
    \fromproperty #'page:page-number-string } }
  %ragged-bottom = ##t
  %ragged-last-bottom = ##t
  %page-breaking = #ly:page-turn-breaking
  %system-system-spacing =
   % #'((basic-distance . 7)
    %   (minimum-distance . 6)
    %   (padding . 1)
    %   (stretchability . 8))
  system-system-spacing #'basic-distance = #15
}

scoreAGlobal = {
  \key c \major
  \time 2/2
  \tempo \markup \italic \fontsize #-3.0 4=76
  \mergeDifferentlyHeadedOn
  \mergeDifferentlyDottedOn
}
atemp = \markup { \fontsize #-3.0 \bold \italic "a tempo" }
prit = \markup { \fontsize #-3.0 \bold \italic "poco ritenuto" }
ritard = \markup { \fontsize #-3.0 \bold \italic "ritardando" }
dim = \markup { \fontsize #-3.0 \bold \italic "diminuendo" }


%Maestoso - 1: highest
scoreAClassicalGuitarVoiceOne = \relative c' {
  \scoreAGlobal
  \partial 4 g4 | c c d d | %2
  e c g'4. f8  | e4 c a d | %4
  c2 b8. [g16 a8. b16] | c4 c d d | %6
  e c g'4. f8 | e8. [c16 a8. d16] c4 b | %8
  d2 c4 e8. f16 | g2 r8. a,16[ e'8. g16] | %10
  f2 r8. g,16 [d'8. f16] | e4 c a8. [b16  c8. d16] | %12
  c2 b8. [g16 a8. b16] | c4 c d d | %14
  e c g'4. f8 | e8. [c16 a8. d16] c4 b | %16
  d2 c8 g [a b]_\atemp | c4 c d d | %18
  e c g'4. f8 | e4 c a8 b c d | %20
  c2 b8 g a b | c4 c d d | %22
  e c g'4. f8 | e8 c a d c4 b | %24
  d2 c4 e8 f | g2 r8 a, e' g | %26

  f2 r8 g, d' f | r e d c b-0 a-3 f'-2 d-4 | %28
  c2 b8 g a b | c4 c d d | %30
  e c g'4. f8 | e c a d c4 b | %32
  d2 c4\fermata \tuplet 3/2 4 { g8 a b }  | \tuplet 3/2 2 { r8\p g [c] r g [c] r g [d'] r g, [d'] | %34
  \omit TupletBracket \omit TupletNumber r g, [e'] r g, c r g [g'] r g, f' | r g, e' r g, c r a [d] f [e d] | %36
                                         r e, [g] c [g e] b' [g gis] a [ais b] | r g [c] r g [c] r g [d'] r g, [d'] | %38
                                         r g, e' r g, c r g g' r g, f' | r g, e' r a, d r g, c r g [b ] | %40
                                         r f [g] b [g  f] ]} c'4 \tuplet 3/2 2 { e8-0 [f-1 fis-3] | r g, [g']  r g, [f'!] r a, [e'] a [as g] | %42
                                         r a,-3 f'-2 r a, e' r g, [d'] g [ges f] | r g, e' r g, c r a d f [e d] | %44
                                         r e, [g] c [g e ] b' [g gis] a [ais b] | r g [c] r g [c] r g [d'] r g, [d'] | %46
                                         r g, [e'] r g, [c] r g [g'] r g, [f'] | r g, [e'] r a, [d] r g, c r g b | %48
                                         r f [g] b [g f] } <e c'>4 g16 (a) b g | r g c g r g c g r g d' g, r g d' g, | %50
  r g e' g, r g c g  r g g' g, r g f' g, | r g e' g, r g c g r a [d a f' a, d a] | %52
  r g c g e g c g b8 fis16 g gis a ais b | r g c g r g c g r g d' g, r g d' g, | %54
  r g e' g, r g c g r g g' g, r g f' g,  | r g c e r f, a d r e, g c r d, g b | %56
  \set strokeFingerOrientations = #'(down)
  \override StrokeFinger.add-stem-support = ##t
  r d,-\rightHandFinger #1 _\ritard g b f' b, g d <c' e>4 e8 f | r16 g, g' g, r g f' g, r a [e' a, a'-4 a, g'-2 a,] | %58
  r a f'-2 a, r a e' a, r g d'-3 g, g'-4 g, f'-1 g, | r g e' g, r g c g r a d a f' a, d a | %60
  r g c g e g c g b8 fis16 g gis a ais b | r g c g r g c g r g d' g, r g d' g, | %62
  r g e' g, r g c g r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b | %64
  c g e g c g e' g, r g g' g, r g f' g, | e' g, e g c g e' g, r g g' g, r g f' g, | %66
  r g c e r f, a d r e, g c r d, g b | c g e g c g e' g, r g g' g, r g f' g, | %68
  e' g, e g c g e' g, r g g' g, r g f' g, | r g c e r f, a d r e, g c r d, g b | %70
  c g e g c g e' g, c g e g c g e' g, | c4 <g c e ><g c e><g c e> | %72
  <g c>2 r \bar ".."

}
%2 - Maestoso: lowest
scoreAClassicalGuitarVoiceTwo = \relative c {
  \scoreAGlobal
   \set fingeringOrientations = #'(down) \override Fingering.add-stem-support = ##t
  \partial 4 r4 | e c b g | %2
  c e b g | <c-4> e f2 | %4
  e4 g d r | e c b g | %6
  c e b g | c-4 f e d | %8
  f g e r | e d cis r | %10
  d c! b r | c4 e f2 | %12
  e4 g d r | e c b g | %14
  c e b g | c-4 f e d | %16
  f g e r | e8 [g c, g'] b, [g' g, g'] | %18
  c, [g' e g ] b, g' g,4 | c8 [g' e g ] f,2 | %20
  g8 g' e g <g, d'>4 r | e'8 g c, g' b, g' g, g'  | %22
  c, g' e g b, g' g,4 | c4 f e8 g d g | %24
  b, g' f g c,4 r | e8 f e d cis4 r | %26
  d8 e d c! b4 r | c2 f,-1 | %28
  g8-3 g' e g <g, d'>4 r | e'8 g c, g' b, g' g, g' | %30
  c, g' e g b, g' g,4 | c4 f e8_\prit g d g | %32
  b, g' f g c,4 s | e c b g | %34
  c e b g | c e f,2 | %36
  g g4 r | e' c b g | %38
  c e b g | c f e d | %40
  g,2 c4 r | e d cis r | %42
  d c b-2 r | c e f,2 | %44
  g2 g4 r | e' c b g | %46
  c e b g | c f e d | %48
  g,2 c4 r | e c b g | %50
  c e b g | c e f,2 | %52
  g d'4 r | e c b g | %54
  c e b g | c f, g g | %56
  \set strokeFingerOrientations = #'(down)
  \override StrokeFinger.add-stem-support = ##t
  g2-\rightHandFinger #1 c4 r | e d cis-3 r | %58
  d c-4 b-2 r | c e f,2 | %60
  g2 d'4 r | e c b g | %62
  c e b g | c f, g g | %64
  c2 b4 g | c2 b4 g | %66
  c f, g g | c2 b4 g | %68
  c2_\dim b4 g | c f, g g | %70
  c2\< c | c4\!\f c g e | %72
  <c' e>2 r

}
%Maestoso 3: second highest
scoreAClassicalGuitarVoiceThree = \relative c' {
  \scoreAGlobal


}
% Maestosos 4: second lowest
scoreAClassicalGuitarVoiceFour = \relative c' {
  \scoreAGlobal

}

scoreBGlobal = {
  \key f \major
  \numericTimeSignature
  \time 3/4
  \tempo 4=92
  \mergeDifferentlyHeadedOn
  \mergeDifferentlyDottedOn
}
shftL-m = { \once \override NoteColumn #'force-hshift = #-1.6 }
shftL-s = { \once \override NoteColumn #'force-hshift = #-0.6 }
shftR-ss = { \once \override NoteColumn #'force-hshift = #0.2 }
shftL-z = { \once \override NoteColumn #'force-hshift = #-1.0 }
shftR-l = { \once \override NoteColumn #'force-hshift = #0.70 }

% higest 1: Menuetto Allegretto
scoreBClassicalGuitarVoiceOne = \relative c' {
  \scoreBGlobal
  \repeat volta 2 {
    \partial 4 a8. bes16 | c4 <a c> <a c> | %2
    \shftL-m c8. d16 c4 g'8. e16 | c4\shftL-m c\shftL-m c | %4
    \shftL-s c8. d16 c4 a'8. g16 | f8. e16 d8. c16 bes8. a16 | %6
    g4 g bes8. a16 | g4 g8. a16 g8. f16 | %8
    e2 a8. bes16\p | c4 <a c> <a c> | %10
    \shftL-m c8. d16 c4 g'8. e16 | c4\shftL-m c\shftL-m c |  %12
    \shftL-s c8. d16 c4 a'8. g16 | f8. e16 d8. c16 bes8. a16 | %14
    g8. a16 bes8. c16 d4 | e, e8. f16 g8. e16 | %16
    f2 }

  \repeat volta 2 { a8. g16 | g4 g g | %18
  g e'8. c16 g4 | g f'8. e16 g,4 | %20
  g g'8. f16 e8. d16 | cis4 <a cis> <a cis> | %22
  d8. e16 f8. g16 a4 | r <g, e'> <f d'> | %24
  <e c'> r <f d'> | <g e'> r <a f'> | %26
  <bes g'> r <a fis'> | <bes\! g'> r <bes g'> | %28
  r <bes g'> r | <bes g'>2\fermata a8. bes16 | %30
  c4 <a c> <a c> |\shftL-m c8. d16 c4 g'8. e16 | %32
  c4 \shftL-m c \shftL-m c | \shftL-s c8. d16 c4 a'8. g16 | %34
  f8. e16 d8. c16 bes8. a16 | g8. a16 bes8. c16 d4 | %36
 e, e8. f16 g8. e16 | f2 s4 } %blanc line
    {
  \once \override TextScript.extra-offset = #'( 0 . -4.4 )
  <>^\markup
    \column {
      { \bold \fontsize #-3 " Volti Trio" }
      { \raise #1.0 \bold \fontsize #-3 " Fine" }
    }
  }
  s2. \bar "|"
}
% LOwest 2: Menuetto Allegretto
scoreBClassicalGuitarVoiceTwo = \relative c {
  \scoreBGlobal
   \partial 4 r4\p | r\< f, f\! | %2
  \shftL-z e2\sf r4\p | r\shftL-z e\< \shftL-z e \! | %4
  \shftL-s f2\sf r4 | r2. | %6
  <bes d>4 <bes d> r | r <bes d> r | %8
  r c r | r f, f | %10
  \shftL-z e2 r4 | r\shftL-z e\shftL-z e | %12
  \shftL-s f2\sf r4\f | r2. | %14
  <bes d>4 r r | bes bes r | %16
  a f r | r\shftR-ss <b f'>\shftR-ss <b f'> | %18
  <c e>2 r4 | < b d> 2 r4 | %20
  <c e>2 r4 | r e, e | %22
  f r r | g2 b4 | %24
  r8. c16 c4 r | r8. c16 c4 r | %26
  r8. c16 c4 r | r8._\markup \italic \teeny "Crescendo" c16 c4 r8. d16 | %28
  d4 r8. dis16 dis4 | e2\f r4\p | %30
  r_\< f, f\! |\shftL-z e2 r4 | %32
  r_\< \shftL-z e \shftL-z e\! | \shftL-s f2 r4 | %34
  r2.\f | <bes d>4 r r | %36
  bes bes r | a f s4
}
% Second highest: Menuetto Allegretto
scoreBClassicalGuitarVoiceThree = \relative c' {
  \scoreBGlobal


}
% Second lowest 4: Menuetto Allegretto
scoreBClassicalGuitarVoiceFour = \relative c {
  \scoreBGlobal
  \partial 4 s4 | s s2 | %2
  bes'2. | s4 bes bes | %4
  a2. | s2. | %6
  s2 s4 | s2. | %8
  s | s | %10
  bes2 s4 | s4 bes bes | %12
  a2 s4 | s2.*9 | %22
  \once \override NoteColumn #'force-hshift = #0.0 a4 s2 | s2.*8 | %31
  bes2 s4 | s bes bes | %33
  a2 s4

}

scoreCGlobal = {
  \key f \major
  \numericTimeSignature
  \time 3/4
  \tempo 4=92
  \mergeDifferentlyHeadedOn
  \mergeDifferentlyDottedOn
}
%Higest: Trio
scoreCClassicalGuitarVoiceOne = \relative c' {
  \scoreCGlobal
  \repeat volta 2 {
    \partial 4 c8 c | b\! c d c bes g | %2
    r a, f' a c4 | r8 c, e bes' c4 | %4
    r8 a c f e d | c b\! d c bes g | %6
    r a, f' a c4 | r8 e, g bes a g | %8
    f2 }
    \repeat volta 2 { f'8 e | d4 d d8 c | %10
                      c4 c d8 c | c (b\!) a g a b | %12
                      c e g fis f e | d4 d e8 d | %14
                      c4 b8\! ( c) d c | b\! a f' d c b  | %16
                      r c b\! c d, c' | r c b\! c f, c' | %18
                      r c b c a c | bes c g c a c | %20
                      bes\! c g c a c | bes c b\! c des c | %22
                      b\! c d c bes g | r a, f' a c4 | %24
                      r8 c, e bes' c4 | r8 a c f e d | %26
                      c b d c bes g | r a, f' a c4 | %28
                      r8 e, g bes a g | f2 s4 }


}
% 4: Lowest Trio
scoreCClassicalGuitarVoiceTwo = \relative c {
  \scoreCGlobal
   \repeat volta 2 {
  \partial 4 r4 | r2. | %2
  f4 r r | g r r | %4
  f r r | r2. | %6
  f4 r r | c r r | %8
  r4 f, }
  %\break
  \repeat volta 2 { r4 | g8 g'g,8 g' r4 | %10
                    e8 g c, g' r4 | d r r | %12
                    c r r | b8 g' g, g' r4 | %14
                    e8 g e,2 | f g4 | %16
                    c2 d4 | e2 f4 | %18
                    g2 a4 | bes g a | %20
                    bes g a | bes r r | %22
                    r2. | f4 r r | %24
                    g r r | f r r | %26
                    r2. | f4 r r | %28
                    c r r | r f, s }
  {
  \once \override TextScript.extra-offset = #'( 0 . -4.5 )
  <>^\markup {
    \column {
      { \bold \fontsize #-3 " D : C : Menuetto" }
      { \raise #0.5 \bold \fontsize #-3 " Sino al Fine" }
    }
  }
  s2. \bar "|"
  }

}
% 3: Second higest
scoreCClassicalGuitarVoiceThree = \relative c' {
  \scoreCGlobal
  }
% 4: Second lowest
scoreCClassicalGuitarVoiceFour = \relative c {
  \scoreCGlobal
  \partial 4 s4 | %1
  s2.*8 | %9
  s4 \once \override NoteColumn #'force-hshift = #0.0 \once \override  Stem #'length-fraction = #0.7 f s | %10
}

scoreDGlobal = {
  \key c \major
  \numericTimeSignature
  \time 2/4
  \tempo 4=69
  \mergeDifferentlyHeadedOn
  \mergeDifferentlyDottedOn
}
% 1: higest - Rondo
scoreDClassicalGuitarVoiceOne = \relative c' {
  \scoreDGlobal
  \partial 4 c8 c | c16 b a g f'8 f | %2
  f16 e d c g'8 <g, b> | c8 d16 e f8 e | %4
  d16 g, a b c8 c | c16 b a g f'8 f | %6
  f16 e d c g'8 c, | a16 b c d c8  b | %8
  c4 c8 c | c16 b a g f'8 f | %10
  f16 e d c g'8 b, | c16 g d' e f8 e | %12
  d16 g, a b c8 c | c16 b a g f'8 f | %14
  f16 e d c g'4 | r16 a, e' d c8 b | %16
  c4 r16 g g' g, | g' g, f' g, r g e' g, | %18
  e' g, d' g, r g g' g, | r g f' g, r g es' g, | %20
  r g d' g, b d, d' c | b d, a' d, c' d, e' d | %22
  c d, b' d, d' g, g' g, | r g e' c a d, d' d, | %24
  c' g b g d' g, g' g, | r g e' c b d c a | %26
  r g g g b g c g | d' g, e' g, f' g, e' g, | %28
  d' g, g g b g c g | d' g, e' g, f' g, e' g, | %30
  d' g, g g d' g, e' g, | f' g, g g d' g, e' g, | %32
  f' g, a b c8 c | c16 b a g f'8 f | %34
  f16 e d c g'8 b, | c16 g d' e f8 e | %36
  d16 g, a b c8 c | c16 b a g f'8 f | %38
  f16 e d c g'4 | r16 a, e' d c8 b | %40
  c4 r | r r16 c e a | %42
  e4 r16 f e d | a, c' f, a d, b' e, gis | %44
  r a e c a8 r | r4 r16 c' e a | %46
  f4 r16 d g f | c, e' a, c f, d' g, b | %48
  r c g e c8 e'16 [f] | g f e d cis4 | %50
  f,16 a e cis' r a d e | f e d c! d, b' dis, a' | %52
  r16 gis b gis e8 r | r4 r16 e' a g | %54
  f4 r16 d g f | e4 r16 c f e | %56
  d4 r16 b e d | c f e dis e gis, b d | %58
  c f e dis e gis, b d | r c b a r b a gis %60
  r a e c a8 e''16 [f] | g f e d cis4 | %62
  f,16 a e cis' r a d e | f e d c b4 | %64
  e,16 g d b' r g c d | e g, e' g, r g f' g, | %66
  r g g' g, r a f' d | d8 c r16 g d' g, | %68
  dis' g, e' g, r g c d | e g, e' g, g' f e f | %70
  r g, g' g, r g f' e | e a, d a r d, c' d, | %72
  b' d, d' d, r d c' a | b d, d' d, r d c' a | %74
  r g g g b g c g | d' g, e' g, f' g, e' g, | %76
  d' g, g g b g c g | d' g, e' g, f' g, e' g, | %78
  d' g, g g d' g, e' g, | f' g, g g d' g, e' g, | %80
  f' g a g f e d c | b g a b c8 c | %82
  c16 b a g f'8 f | f16 e d c g'8 b, | %84
  c16 g d' e f8 e | d16 g, a b c8 c | %86
  c16 b a g f'8 f | f16 e d c g'4 | %88
  r16 a, e' d c8 b | c,16 <c' e> b, <c' e> a, <c' e> gis, <c' e> | %90
  a, <c' e> e,, <c'' e> f,, <c'' e> fis,, <c'' e> | r <c e> <c e> <c e> r <g d'> <g d'> <g d'> | %92
  \tuplet 3/2 8 { \omit TupletNumber c, [c' e] b, [c' e] a,, [c' e] gis,, [c' e] | a,, [c' e] e,, [c'' e] f,, [c'' e] fis,, [c'' e] } | %94
  r <g, c e ><g c e><g c e> r <g b g'> <g b g'> <g b g'> | c g e_\markup { \fontsize #-3.0 \bold \italic "diminuendo" }  g c g e' d | %96
  c g e g c g e' d | c8 <g c e><g c e><g c e> | %98
  <g c e>2\fermata \bar "|."

}
% 2: lowest Rondo
scoreDClassicalGuitarVoiceTwo = \relative c {
  \scoreDGlobal
\partial 4 <c g'>8 <e g> | <d g>4 <b g'>8 <d g> | %2
  <c g'>4 r8 \once \override NoteColumn #'force-hshift = #0.15 f | <e g>4 <d g>8<c g'> | %4
  g4 <c g'>8<e g> | <d g>4 <b g'>8<d g> | %6
  <c g'>4 r8 <e g> | f4 <e g>8<d g> | %8
  c4 c16\f g' e g | d4 b16 g' d g | %10
  c,4 e16 g f g | e4 d16 g c, g' | %12
  g,4 c16 g' e g | d4 b16 g' d g | | %14
  c,4 r16 e g c | f,4 e16 g d g | %16
  c,4 e\p | d c | %18
  b es | d c | %20
  b g | fis a | %22
  g b | c fis, | %24
  g b | c d | %26
  g, g8 a | b c d c | %28
  b4 g8 a | b c d c | %30
  b4 b8 cis | d4 b8 cis | %32
  d4_\markup { \fontsize #-3.0 \bold \italic "ritardando" } c!16 g' e g | d4 b16 g' d g | %34
  c,4 e16 g f g | e4 d16 g c, g' | %36
  g,4 c16 g' e g | d4 b16 g' d g | %38
  c,4 r16 e g c | f,4 e16 g d g | %40
  c, g' e g c,8 c16 [d] | e d c b a4\fp | %42
  r16 e gis' b e,4 |a,8 f' d e  | %44
  a,4 r8\mp c16 d | e d c b a4 | %46
  r16 e' d c b4 | c8 a' f g | %48
  c,4 r | r r16 bes' a g | %50
  f8 e d4 | d d8 dis | %52
  e,4 r8 c'16 d | e d c b a4 | %54
  r16 e' d c b4 | r16 d c b a4 | %56
  r16 c b a gis4 | a e | %58
  a\ff e | a_\markup { \fontsize #-3.0 \bold \italic rallentando } e | %60
  a r4 | r4 r16 bes' a g | %62
  f8 e d4 | r r16 as' g f | %64
  e8 d c4 | c d | %66
  e f | g,16 g' e g b,4 | %68
  c c | c d | %70
  e c | f, fis | %72
  g fis | g fis | %74
  g g8 a | b c d c | %76
  b4 g8 a | b c d c | %78
  b4 b8 cis | d4 b8 cis | %80
  d4 r | r c16 g' e g | %82
  d4 b16 g' d g | c,4 e16 g f g | %84
  e4 d16 g c, g' | g,4 c16 g' e g | %86
  d4 b16 g' d g | c,4 r16 e g c | %88
  f,4 e16 g d g | c,8 b a gis | %90
  a e f fis | g4 g | %92
  c8\mp b a gis | a e f fis | %94
  g4\f g | c c | %96
  c c | r8 c g e |
  <c' e>2\fermata \bar "|."


}

scoreDClassicalGuitarVoiceThree = \relative c' {
  \scoreDGlobal


}

scoreDClassicalGuitarVoiceFour = \relative c' {
  \scoreDGlobal


}

\book {
  \bookpart {
    \bookOutputSuffix ""
    \score {
      \new Staff \with {
        midiInstrument = "acoustic guitar (nylon)"
        instrumentName = ""
        shortInstrumentName = ""
      } { \clef "treble_8" << \scoreAClassicalGuitarVoiceOne \\ \scoreAClassicalGuitarVoiceTwo \\ \scoreAClassicalGuitarVoiceThree \\
  \scoreAClassicalGuitarVoiceFour >> }
      \header {
        piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") { "Maestoso" }}
        opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") { "Sonatine one, opus 71" }}
      }
      \layout {
        line-width = 190.000 \mm
        %\override Score.BarNumber.break-visibility = #all-visible
      }
      \midi { }
    }
  }
  %\pageBreak
  \bookpart {
    \score {
      \new Staff \with {
        midiInstrument = "acoustic guitar (nylon)"
        instrumentName = ""
        shortInstrumentName = ""
      } { \clef "treble_8" << \scoreBClassicalGuitarVoiceOne \\ \scoreBClassicalGuitarVoiceTwo \\ \scoreBClassicalGuitarVoiceThree \\
  \scoreBClassicalGuitarVoiceFour >> }
      \header {
        piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") { "Menuetto Allegretto" }}
        opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") { "Sonatine one, opus 71" }}
      }
      \layout { line-width = 190.000 \mm
        %\override Score.BarNumber.break-visibility = #all-visible
      }
      \midi { }
    }
  }
  %\pageBreak
  \bookpart {
    \score {
      \new Staff \with {
        midiInstrument = "acoustic guitar (nylon)"
        instrumentName = ""
        shortInstrumentName = ""
      } { \clef "treble_8" << \scoreCClassicalGuitarVoiceOne \\ \scoreCClassicalGuitarVoiceTwo \\ \scoreCClassicalGuitarVoiceThree \\
  \scoreCClassicalGuitarVoiceFour >> }
      \header {
        piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") { "Trio" }}
        opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") { "Sonatine one, opus 71" }}
      }
      \layout { line-width = 190.000 \mm
        %\override Score.BarNumber.break-visibility = #all-visible
      }
      \midi { }
    }
  }
  %\pageBreak
  \bookpart {
    \score {
      \new Staff \with {
        midiInstrument = "acoustic guitar (nylon)"
        instrumentName = ""
        shortInstrumentName = ""
      } { \clef "treble_8" << \scoreDClassicalGuitarVoiceOne \\ \scoreDClassicalGuitarVoiceTwo \\ \scoreDClassicalGuitarVoiceThree \\
  \scoreDClassicalGuitarVoiceFour >> }
      \header {
        piece = \markup \fontsize #6.0 { \override #'(font-name . "Respective") { "Rondo" }}
        opus = \markup \fontsize #3.0 { \override #'(font-name . "Respective") { "Sonatine one, opus 71" }}
      }
        \layout {
          line-width = 190.000 \mm
        %\override Score.BarNumber.break-visibility = #all-visible
      }
      \midi { }
    }
  }
}