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From: | Frederick Bartlett |
Subject: | Re: Overlapping ties in different voices |
Date: | Tue, 7 Oct 2014 21:10:28 -0400 |
Hi FredHere's the way I'd do it (if I've interpreted what you wanted correctly):\relative c''' <<{ s1 |
\once \override NoteColumn.force-hshift = 2
b1~ | b2 cis | }
\\
{ a1~ | <a a,>2 <g g,>4 <fis fis,> | <g g,>1 }
\\
{ \voiceTwo r2 a,~ | }
>>
Trevor
----- Original Message -----From: Frederick BartlettTo: LilyPond UsersSent: Tuesday, October 07, 2014 8:57 PMSubject: Overlapping ties in different voicesHi!I'm trying to set selection from Saint-Saën's Oratorio de Noël for my choir.
In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd combination of ties:
\relative c''' {
<< { s1 | b1 ~ | b2 cis } \\
{ a1 ~ | a2 s2 | s1 } \\
{ \voiceTwo r2 a, ~ | a <g' g,>4 <fis fis,> | <g g,>1 }
>>
}This peculiar mess is almost right; I just need to figure out how to keep the b and a on the first beat of the second measure from colliding -- but no combination of \shiftOxxx and \once \override NoteColumn.force-hshift that I've tried has answered the case. Leaving the \voiceTwo command out prevents the collision -- but at the cost of getting many other things wrong.To match the 19th-century original, the b should be shifted a notehead's width right.Help?Thanks!
Fred
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