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Indicate a broken chord should ring.


From: Knute Snortum
Subject: Indicate a broken chord should ring.
Date: Fri, 17 Oct 2014 16:50:55 -0700

I have a piece of music I'm transcribing that's never been transcribed before, so I'm not sure how to notate it.

It's a broken chord where all the notes should ring for another two measures.  My two attempts are below:

\version "2.19.15"
\language "english"

\relative c''' {
  
  %% Method one
  \slurDown a,,=8 ( e''16 b g ds'8. ~ <e  ds b g a,>2 ) ~ | q1 ~ | q1 
  
  %% Method two
  <<
    { \voiceTwo   a,,1 ~                         |  a1 ~  | a1 | }
    \\
    { \voiceThree r8 e''4. ~               e2 ~  |  e1 ~  | e1 | }
    \\
    { \voiceTwo   s8 s16 b16 ~ b4 ~        b2 ~  |  b1 ~  | b1 | }
    \\
    { \voiceTwo   s4           g4 ~        g2 ~  |  g1 ~  | g1 | }
    \\
    { \voiceOne \tieDown
                  s4           s16 ds'8. ~ ds2 ~ | ds1 ~  | ds1 | }
  >>
}

With method one, it's very evident how to play the line, but only the a and the ds slurs/ties.  Ideally, all of the notes would have slurs/ties to the half note chord.

Method two is perhaps more literal, but it's hard to see how the line is played.

Is there a better way to indicate that the broken chord is held?  In piano music I would use a sustain pedal indicator, but this music might be played by a guitar.

Knute Snortum
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