Re: Multiple score scenario

[Philippe Massart]

Hello,

For me, it *is* the most logical way (I sometime use it in a single piece, when 
transposition leads to overcomplicated tonality).

But you could try to play with tags; I don't use them, but I think it's a 
solution to call only a portion of a variable.

http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source#using-tags

Philippe

> Le 1 nov. 2014 à 04:16, Jon Arnold <address@hidden> a écrit :
> 
> Hi -
> 
> I think I have a unique scenario and am trying to figure out the best way 
> to move forward.
> 
> I am working on an edition of Bach's Jesu Meine Freude, and will be doing 
> at least three different editions:
> 
> 1) choral scores of individual mvts
> 2) book of choral scores
> 3) book of string parts which double voices (soprano=vln, tenor=vla, etc.)
> 
> I have each movement in a file (jesu1.ly, jesu2.ly) and have the staff 
> layout stored in a variable so that I can call it on the individual 
> movement and the book without getting voice variables confused between 
> movements.
> 
> So, my book file looks like this: 
> 
> \include "jesu1.ly"
> \include "jesu2.ly"
> 
> \book {
>  \score {
>    \jesuOneScore
>    \header { piece = "Mvt. I" }
>    \layout { }
>  }
>  %etc. etc.
> 
> The problem is the instrumental parts. How can I call one voice from one 
> particular file? I tried putting the \include command in each bookpart, but 
> that tries to pull the whole score for some reason.
> 
> The only solution that I can think of is to name each voice and lyric 
> variable with a movement (sopranoNotesOne, sopranoLyricsOne), but I'm 
> hoping there is a more logical solution.
> 
> Thanks so much for any help!
> 
> Jon
> 
> 
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