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From: | Trevor Daniels |
Subject: | Re: staff polyphony, collisions between ties and beams |
Date: | Sun, 25 Jan 2015 09:27:38 -0000 |
Hi Stephan
I think it's a matter of finding the least-ugly
arrangement which make it clear to the pianist what is intended. Perhaps
lower the beams slight and move the tuplet brackets up a little to make room for
the ties. You could reshape the ties a little, but I don't think this
improves it much. Play with this:
\version "2.18.2"
first = { % \shape #'((0 . 0) (0 . 0.5) (0 . 0.5) (0 . 0)) Tie cis''''1 ~ cis''''1 ~ cis''''\fermata \bar"|." } second = {
\voiceTwo s2 \voiceThree \override TupletBracket padding = 1.7 \override Beam positions = #'(4.8 . 4.8) \tuplet 3/2 { a'''8 a''' a''' } \tuplet 3/2 { a'''\rest[ a''' a'''\rest] } d''4\rest \tuplet 3/2 { e'''8\rest a''' a''' } \tuplet 3/2 { a'''[ a'''\rest a'''] } e'''4\rest }
third = { \ottava #1 \voiceThree f'''2 \rest \voiceFour fis'''2 ~ fis'''1 ~ fis'''\fermata } alltogether = {
<< { \voiceOne \first } \new Voice { \second } \new Voice { \third } \new Voice { \voiceFour \transpose c' c \first } >> \oneVoice } \score {
\new Staff \alltogether }
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