Re: Lyric syllables

[Ali Cuota]

Hi,

Why not Al -- le -- _ lu -- ia in spite of Al -- le -- e -- lu -- ia?
Is this notation from Schein?

Franck

2015-02-05 8:22 GMT-05:00, Charles Johnson <address@hidden>:
> On 05/02/15 10:43, Phil Holmes wrote:
>> Most people, I think, prefer code inline where this is possible.  If
>> not, attachments are OK.
>
> Phil,
>
> The following illustrates the syllable thing, but the slightly bigger
> problem is reproduction of the verse numbers is slightly out of whack.
> Is there a remedy for this? I have to say that i have simplified the
> original round-tripping of the various import-exports that went on.
>
>
> \version "2.18.2"
>
> % automatically converted by musicxml2ly from s-1.xml
>
> \header {
>
>   poet = "One-in-a-bar"
>
>   encodingsoftware = "PDFtoMusic Pro v1.5.0 Build 14482 (c) Myriad -
> http://www.myriad-online.com";
>
>   composer = Schein
>
>   title = "Surrexit Christus"
>
> }
>
> #(set-global-staff-size 19.1113832445)
>
> \paper {
>
>   paper-width = 20.99\cm
>
>   paper-height = 29.7\cm
>
>   top-margin = 1.0\cm
>
>   bottom-margin = 1.0\cm
>
>   left-margin = 1.0\cm
>
>   right-margin = 1.0\cm
>
> }
>
> \layout {
>
>   \context { \Score
>
>   autoBeaming = ##f
>
> }
>
>     }
>
>     Soprano =  \relative e' {
>
>       \clef "treble" \stopStaff \override Staff.StaffSymbol #'line-count =
>
>       #5 \startStaff \key g \major \time 3/4
>
>       % \break e4 s2 | % 2
>
>       \partial 4 e4 |
>
>       g2 g4 | % 3
>
>       b2 g4 | % 4
>
>       \time 2/4  g2 ( | % 5
>
>       fis2 ) | % 6
>
>       e2 | % 7
>
>       fis2 | % 8
>
>       a4 a4 | % 9
>
>       b2 |
>
>       a2 | % 11
>
>       b4 g4 ~ | % 12
>
>       g4 fis4 | % 13
>
>       \time 3/4  g2 g4 | % 14
>
>       b2 g4 | % 15
>
>       fis2 fis4 | % 16
>
>       e2 e4 | % 17
>
>       fis2 gis4 | % 18
>
>       \time 2/4  a4. g8 _. | % 19
>
>       a4 _. g4 _. |
>
>       \time 3/4  fis4. e8 _. e4 ~ | % 21
>
>       \time 2/4  e4 dis4 | % 22
>
>       e2 \bar "|."
>
>     }
>
>     Alto =  \relative b {
>
>       \clef "treble" \stopStaff \override Staff.StaffSymbol #'line-count =
>
>       #5 \startStaff \key g \major \time 3/4
>
>       \partial 4 b4 | % 2
>
>       e2 e4 | % 3
>
>       g2 e4 | % 4
>
>       \time 2/4  d2 ~
>
>       d2 | % 6
>
>       d4 ( cis4 ) | % 7
>
>       d2 | % 8
>
>       fis4 fis4
>
>       g2 |
>
>       fis2 | % 11
>
>       g4 d4 ~ | % 12
>
>       d4 d4
>
>       \time 3/4  d2 d4 | % 14
>
>       g2 d4 | % 15
>
>       d2 d4 | % 16
>
>       d2 cis4
>
>       d2 d4 | % 18
>
>       \time 2/4  c4. d8 _. | % 19
>
>       e4 _. e4 _. |
>
>       \time 3/4  d4. b8 _. b4 ~
>
>       \time 2/4  b4 b4 | % 22
>
>       b2 \bar "|." }
>
>       SopranoVerseOne =  \lyricmode { "1.Sur" -- re -- xit Chri --
>
>       stus ho -- di -- "e," Al -- le -- lu -- "ia," Al -- le -- lu --
>
>       "ia," Hu -- ma -- no pro so -- la -- mi -- "ne," Al -- le -- e -- e
>
>       -- e -- e -- e -- e -- lu -- "ia." }
>
>       SopranoVerseTwo =  \lyricmode { "2. Mor" -- tem qui pa --
>
>       ssus pri -- di -- e, Al -- le -- lu -- ia, Al -- le -- lu --
>
>       ia, mi -- se -- rri -- mo pro ho -- mi -- ne, Al -- le -- e -- e
>
>       -- e -- e -- e -- e -- lu -- ia. }
>
>       SopranoVerseThree =  \lyricmode { "3. Mu" -- lie -- er -- es ad tu --
> mu -- lum,
>
>       Al -- le -- lu -- ia, Al -- le -- lu --
>
>       ia, por -- ta -- ver -- unt a -- ro -- ma -- ta, Al -- le -- e -- e
>
>       -- e -- e -- e -- e -- lu -- ia. }
>
>       AltoVerseFour =  \lyricmode { "4. Di" -- sci -- pu -- lis hoc di -- ci
> -- te,
>
>       Al -- le -- lu -- ia, Al -- le -- lu --
>
>       ia, su -- rrex -- it Chri -- stus ho -- di -- e, Al -- le -- e -- e
>
>       -- e -- e -- e -- e -- lu -- ia. }
>
>       AltoVerseFive =  \lyricmode { "5. In" hoc Pa -- schal -- i gau -- di
> -- o,
>
>       Al -- le -- lu -- ia, Al -- le -- lu --
>
>       ia, be -- ne -- dic -- a -- mus Do -- mi -- no, Al -- le -- e -- e
>
>       -- e -- e -- e -- e -- lu -- ia. }
>
>       AltoVerseSix =  \lyricmode { "6. Lau" -- de -- tur sanc -- ta Tri --
> ni -- tas,
>
>       Al -- le -- lu -- ia, Al -- le -- lu --
>
>       ia, De -- o di -- ca -- mus gra -- ti -- as, Al -- le -- e -- e
>
>       -- e -- e -- e -- e -- lu -- ia. }
>
>       % The score definition
>
>       \score {
>
>     <<
>
>       \new ChoirStaff <<
>
>         \new Staff = "sopranos" <<
>
>           %\new Lyrics \lyricsto "Soprano" \SopranoVerseOne
>
>           %\new Lyrics \lyricsto "Soprano" \SopranoVerseTwo
>
>           %\new Lyrics \lyricsto "Soprano" \SopranoVerseThree
>
>           \new Voice = "sopranos" {
>
>         \Soprano
>
>           }
>
>         >>
>
>         \new Lyrics \lyricsto "sopranos" {
>
>           \SopranoVerseOne
>
>         }
>
>         \new Lyrics \lyricsto "sopranos" {
>
>           \SopranoVerseTwo
>
>         }
>
>         \new Lyrics \lyricsto "sopranos" {
>
>           \SopranoVerseThree
>
>         }
>
>         \new Staff = "altos" <<
>
>           %\new Lyrics \lyricsto "Alto" \AltoVerseFour
>
>           %\new Lyrics \lyricsto "Alto" \AltoVerseFive
>
>           %\new Lyrics \lyricsto "Alto" \AltoVerseSix
>
>           \new Voice = "altos" {
>
>         \Alto
>
>           }
>
>         >>
>
>         \new Lyrics \lyricsto "altos" {
>
>           \AltoVerseFour
>
>         }
>
>         \new Lyrics \lyricsto "altos" {
>
>           \AltoVerseFive
>
>         }
>
>         \new Lyrics \lyricsto "altos" {
>
>           \AltoVerseSix
>
>         }
>
>       >>
>
>     >>
>
>     \layout {}
>
>     % To create MIDI output, uncomment the following line:
>
>     %  \midi {}
>
>       }
>
>
>
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