Hi Bill,
only for policy: If you have the digest mode turned on, please
always edit your subject line (i.e. "Re: <original subject>")
if you’re replying, so it becomes apparent to what your reply refers
and so that it may be sorted into the thread by software.
Thank you,
Simon
PS. Only address@hidden suffices as addressee, no need to
double it with ~request.
Am 21.03.2015 um 11:09 schrieb bill
wolf:
Hi, Michael--
i've done a fair amount of meterless music for my Church. Over
time, i've developed a little template, that i've attached. Any
formatting is in the first variable, called, "global." Since the
key is not necessary, just pay attention to the three override
commands. Another thing to notice is that i avoid \cadenzaOn. i
remember trying it early on, but then discarding it. i can't
remember exactly why, now.
Anyway, i've also attached an actual hymn made from the template,
as well as the pdf output. The only thing i ever have to fix is
an error about the lyrics not having something to attach to, if i
remember correctly. i fix that by making measures of different
lengths. Since i only see barlines at the end of a staff, it
doesn't matter where they are inside of it.
Just a quick question: Are you using repeated notes on a single
syllable to avoid ties across barlines?
i do hope this helps.
bill
Date: Fri, 20 Mar 2015 11:52:23 -0400
From: Michael Collins <address@hidden>
To: address@hidden
Subject: formatting meterless music
Message-ID:
<address@hidden>
Content-Type: text/plain; charset="utf-8"
Hello,
I'm working on a piece without barlines or a time signature.
The file is
attached below. I have tried using the \cadenzaOn command, but
this seems
to produce nice output only when I use a simple time signature
(4/4) and
manually bar (|) the input. Unfortunately, the rhythmic values
I'm using
do not lend themselves to this approach. The introduction of a
couple 16th
notes shifts everything over and makes it impossible to divide
things into
neat 4/4 bars.
My current solution modifies the layout's context block to
completely
suppress barlines and time signatures. However, since lilypond
still
thinks I'm in 4/4, I'm getting ties across invisible barlines.
Also, since
all barlines are suppressed, I can't get a double bar line at
the end. Is
there any way around these problems? Is there an elegant way
to produce
meterless music without ties that still includes a double
barline at the
end?
?
Oremus.ly
<https://docs.google.com/document/d/1f12TvUgRL96Nq-VVLo_cBZ0drmhkJh1hmhMyF989lUg/edit?usp=drive_web>
?
-Michael
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