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Re: sharping naturals
From: |
Christopher R. Maden |
Subject: |
Re: sharping naturals |
Date: |
Thu, 23 Jul 2015 12:15:57 -0500 |
User-agent: |
Mozilla/5.0 (X11; Linux x86_64; rv:31.0) Gecko/20100101 Thunderbird/31.8.0 |
On 07/23/2015 11:33 AM, Brother Gabriel-Marie wrote:
When you use key signatures like A major or B Major you end up with a
lot of naturals in the score for which you may have to manually add
sharps.
I think this is a common misunderstanding for new Lilypond users.
Another way to phrase this is, If you write music with a lot of
naturals, in a key with sharps, you will end up with a lot of accidentals.
The solution is to write music with the sharp notes you actually want.
For instance, I can write:
\key c \major
d e fis g | a1
Or I can write:
\key d \major
d e fis g | a1
They will look different, but will be the same notes. The music
describes itself; the key signature affects presentation.[*]
HTH,
Chris
[*] Yes, it has semantic implications, too, the tonic and mode, etc.,
but I’m trying to keep this simple(ish).
--
Chris Maden, text nerd <URL: http://crism.maden.org/ >
“Do you not know that a man is not dead while his name is still
spoken?” — PTerry
GnuPG fingerprint: DB08 CF6C 2583 7F55 3BE9 A210 4A51 DBAC 5C5C 3D5E
- sharping naturals, Brother Gabriel-Marie, 2015/07/23
- Re: sharping naturals,
Christopher R. Maden <=
- Re: sharping naturals, Peter Bjuhr, 2015/07/24
- Re: sharping naturals, Urs Liska, 2015/07/24
- Re: sharping naturals, Peter Bjuhr, 2015/07/24
- Re: sharping naturals, Malte Meyn, 2015/07/24
Re: sharping naturals, Malte Meyn, 2015/07/23