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Re: Lining up notes in staves with different rhythms and time signatures


From: Blöchl Bernhard
Subject: Re: Lining up notes in staves with different rhythms and time signatures
Date: Fri, 21 Aug 2015 21:28:51 +0200
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If Rachmaninoff would have used lilypond that would not have happened!

But may be he was a nice guy and did it just to give some brilliant interprets a chance?

His No. 1 in F minor shifts unsteadily throughout in time signature from 2/4, 3/4, 4/4, 5/4, and 3/2. It is sayed Rachmaninoff played Frédéric Chopin's Étude Op. 25, No. 4, while writing this étude.

Anyway, just breaking rules does not automatically make a genius - I already tried that!




Am 21.08.2015 20:56, schrieb Malte Meyn:
Am 21.08.2015 um 20:45 schrieb Blöchl Bernhard:
Interesting! New rules for basics of music.

I think this is too bold an assumption. It may very well be that there
is one 3/4 measure here, and I would trust the original typeset here.


Not every time signature change is printed in every music. Even if you
see it as a “basic rule”. See for example the last one of
Rachmaninov’s Etudes-Tableaux. Rachmaninov knew what he did.

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