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Re: bowing change in a long trill
From: |
Robert Schmaus |
Subject: |
Re: bowing change in a long trill |
Date: |
Thu, 27 Aug 2015 20:53:56 +0200 |
User-agent: |
Mozilla/5.0 (Macintosh; Intel Mac OS X 10.9; rv:38.0) Gecko/20100101 Thunderbird/38.2.0 |
Hi Simon,
I never really checked out this structure
<<
{ music }
{ yet more music }
>>
Awesome, I didn't know it worked that way! And I've noticed another
advantage of your approach: although hidden, the notes in the \new Voice
construct still reserve their own space and thus place the bow command
next to the non-hidden note. yours is right on top of it.
Best,
Rob
Am 27/08/15 um 20:06 schrieb Simon Albrecht:
> Hello Robert and Paul,
>
> Am 27.08.2015 um 17:44 schrieb Robert Schmaus:
>>
>>> Note the use of ‘s’, a spacer rest, which is semantically more
>>> correct than \hide c''.
>> I used the hidden note to place the bowing sign in the correct height.
>> I'm not sure if s\upbow looks good if you overlay that with c'''' ...
>>
>> Try
>> <<
>> { c'''' c''''}
>> \new Voice { s\upbow \hide c''''\downbow}
>>
> You’re right, of course. My mistake, since I forgot to delete the \new
> Voice – actually, it should be within one voice:
>
> {
> c''2.\downbow ~
> <<
> { c''2. }
> { s4. s\upbow }
> >>
> }
>
> and then it’s even necessary not to have hidden notes:
> <http://lilybin.com/n6fwdk/2>.
>
> Yours, Simon
Re: bowing change in a long trill, Robert Schmaus, 2015/08/27
Re: bowing change in a long trill, Phil Holmes, 2015/08/27