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From: | Simon Albrecht |
Subject: | Re: bowing change in a long trill |
Date: | Thu, 27 Aug 2015 21:20:38 +0200 |
User-agent: | Mozilla/5.0 (X11; Linux x86_64; rv:38.0) Gecko/20100101 Thunderbird/38.2.0 |
Am 27.08.2015 um 20:53 schrieb Robert Schmaus:
Simultaneous music within a voice – that’s also how often a \global variable with \tempo, \key, \mark and \bar commands is used for all voices in the score. It was quite a revelation to me also :-)Hi Simon, I never really checked out this structure << { music } { yet more music } Awesome, I didn't know it worked that way!
Even the bow command of its own would require horizontal space – that’s what the { \tweak extra-spacing-width } in my \after function (see my earlier post in this thread) is for.And I've noticed another advantage of your approach: although hidden, the notes in the \new Voice construct still reserve their own space and thus place the bow command next to the non-hidden note.
yours is right on top of it.
You’re very welcome! Simon
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