superimposing different lengths and ties across triplets

[Erich Neuwirth]

%% I need a tie between the second note of the first triplet and the first note 
of the second triplet,
%% and I need the notehead of the d (upper note at first position) to be a half 
note.
%% superimposing the half note and the triplet note gives the full head, not 
the hollow head.
%% Can this be accomplished also.

%% And thanls for the great help  am getting here.


%%%%%%%%%%%%%%%%%%%%%%%%%%
\version "2.19.27"

lower = \relative c' {
 \clef bass
 \key g \major
 \time 2/4
  << {\tuplet 3/2 {d,8 b' g'} \tuplet 3/2 {b,8 b g'}}\\
   \shiftOnn \override NoteColumn.force-hshift = -0.5 <d, g,>2  >>
}



\score {
 <<
   \new Staff  {
     \lower
   }
 >>
}

> On 16 Sep 2015, at 12:17, Malte Meyn <address@hidden> wrote:
> 
> 
> 
> Am 16.09.2015 um 11:50 schrieb Erich Neuwirth:
>> Thank you!
>> I still would like something more.
>> In the score I am using as stating point,
>> the g’s at the first position of the triplets and the g’s of \voiceFour
>> have a common notepad and the notes of the lowest voice
>> are slightly shifted to the right.
>> Can this be accomplished also?
>> 
> Yes. Put
> 
> %%%
> \shiftOnn
> \override NoteColumn.force-hshift = 0.5
> %%%
> 
> in front of the b8 r c r. I don’t like force-hshift because LilyPond cannot 
> find the “best choice”. But I have little experience with polyphony and 
> therefore I don’t know a better solution.

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