Re: Lilypond and Jazz chords

[Carl-Henrik Buschmann]

There are a few musicologist, you'd be suprised how many, that comes from jazz 
or popular music. Yes, I'm one of them. As far as i can see this Brandt & 
Roemer thing is a work in progress. I'm thankfull somebody seems to be working 
on it! 

There is however much to be done before chords in Lilypond are mature enough to 
use for jazz chord notation. I'm crossing my fingers that a lilypond-programmer 
reads this and takes pity on us who needs this for our work.


> 17. jan. 2016 kl. 22.25 skrev Blöchl Bernhard <address@hidden>:
> 
> I follow this nonsense thread just for entertainement with wild references to 
> any-/something and found i. e
> https://lists.gnu.org/archive/html/lilypond-user/2015-11/msg00950.html
> and
> https://lists.gnu.org/archive/html/lilypond-user/2015-11/pdfsKndJHU0dl.pdf
> 
> Two questions:
> 1. Why is Cm69 (ly) = C6/9 (BR)? Where is the "MI" gone? Is it kind of
> implied? I don't see it.
> (I omit the second)
> Did you know, that the C6/9 Guitar Chord has alternate Names: Cmaj6/9, CM6/9, 
> CMAJ6/9 - where is the minor????
> You might find that in google or in some serious jazz harmony books. If you 
> are serieous working in music - check it and think about.
> 
> Which one do you think is the correct one? Do you really think that serous 
> jazz musicians get skid whith such?
> 
> 
> 
> Am 17.01.2016 21:59, schrieb Blöchl Bernhard:
>> Am 17.01.2016 21:33, schrieb Carl-Henrik Buschmann:
>>> http://i.imgur.com/crR5239.png [3]
>>> I have googled my ass off on how to get "jazz chords" properly
>>> formated.
>> What is "properly" formated? Where is your wrong formated code example?
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