Re: Lilypond and Jazz chords

[Robert Schmaus]

Yes, that's true - I guess that never bothered me ... until now, that is, now 
that you mention it, thank you very much. 
Quite possibly that is easy to fix though - I'll look into that asap. 

Maybe I should add that, while I like producing aesthetically pleasing lead 
sheets, my first priority has always been to produce sheets that serve the 
performer. And LilyJazz - with or without jazzy accidentals - does provide 
output that is superbly readable even in shady, dim conditions. Only last week 
I played in a bar, and the sheets provided had chord names the size of a 
fine-print edition of the bible. I practically had to kiss the music stand the 
whole gig through ...

Cheers, Robert 

> Hi Robert,
> 
>> It is possible though that all tools for doing that are already present in 
>> LilyJazz ... I simply don't remember now.
> 
> Sorry, I wasn’t clear: the accidentals in your chord names aren’t using the 
> LilyJazz font, as far as I can tell, whereas the rest of the glyphs (e.g., 
> letters, numbers) are.
> 
> Cheers,
> Kieren.
> ________________________________
> 
> Kieren MacMillan, composer
> ‣ website: www.kierenmacmillan.info
> ‣ email: address@hidden
>